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The stakes of exposure : anxious bodies in postwar Japanese art /

"How would artistic practice contribute to political change in post-World War II Japan? How could artists negotiate the imbalanced global dynamics of the art world and also maintain a sense of aesthetic and political authenticity? While the contemporary art world has recently come to embrace so...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kunimoto, Namiko, 1974- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis ; London : University of Minnesota Press, [2017]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kunimoto, Namiko,  |d 1974-  |e author. 
245 1 4 |a The stakes of exposure :  |b anxious bodies in postwar Japanese art /  |c Namiko Kunimoto. 
263 |a 1702 
264 1 |a Minneapolis ;  |a London :  |b University of Minnesota Press,  |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
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588 0 |a Print version record. 
505 0 |a Introduction: Gendered bodies and the Minamata disaster -- Katsura Yuki's Bodies of Resistance -- Nakamura Hiroshi and the Politics of Embodiment -- Tanaka Atsuko and the Circuits of Subjectivity -- Heroic Violence in the Art of Shiraga Kazuo -- Conclusion: Thresholds of Exposure. 
520 |a "How would artistic practice contribute to political change in post-World War II Japan? How could artists negotiate the imbalanced global dynamics of the art world and also maintain a sense of aesthetic and political authenticity? While the contemporary art world has recently come to embrace some of Japan's most daring postwar artists, the interplay of art and politics remains poorly understood in the Americas and Europe. The Stakes of Exposure fills this gap and explores art, visual culture, and politics in postwar Japan from the 1950s to the 1970s, paying special attention to how anxiety and confusion surrounding Japan's new democracy manifested in representations of gender and nationhood in modern art. Through such pivotal postwar episodes as the Minamata Disaster, the Lucky Dragon Incident, the budding antinuclear movement, and the ANPO protests of the 1960s, The Stakes of Exposure examines a wide range of issues addressed by the period's prominent artists, including Tanaka Atsuko and Shiraga Kazuo (key members of the Gutai Art Association), Katsura Yuki, and Nakamura Hiroshi. Through a close study of their paintings, illustrations, and assemblage and performance art, Namiko Kunimoto reveals that, despite dissimilar aesthetic approaches and divergent political interests, Japanese postwar artists were invested in the entangled issues of gender and nationhood that were redefining Japan and its role in the world. Offering many full-color illustrations of previously unpublished art and photographs, as well as period manga, The Stakes of Exposure shows how contention over Japan's new democracy was expressed, disavowed, and reimagined through representations of the gendered body."--Publisher's description. 
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600 1 0 |a Katsura, Yuki,  |d 1913-1991  |x Criticism and interpretation. 
600 1 0 |a Nakamura, Hiroshi,  |d 1932-  |x Criticism and interpretation. 
600 1 0 |a Tanaka, Atsuko,  |d 1932-2005  |x Criticism and interpretation. 
600 1 0 |a Shiraga, Kazuo,  |d 1924-2008  |x Criticism and interpretation. 
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600 1 7 |a Nakamura, Hiroshi,  |d 1932-  |2 fast  |0 (OCoLC)fst01687995 
600 1 7 |a Shiraga, Kazuo,  |d 1924-2008.  |2 fast  |0 (OCoLC)fst01718675 
600 1 7 |a Tanaka, Atsuko,  |d 1932-2005.  |2 fast  |0 (OCoLC)fst01758432 
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650 0 |a Art  |x Political aspects  |z Japan  |x History  |y 20th century. 
650 0 |a Human beings in art. 
650 0 |a Sex role in art. 
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650 6 |a Art  |x Aspect politique  |z Japon  |x Histoire  |y 20e siècle. 
650 6 |a Rôle selon le sexe dans l'art. 
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776 0 8 |i Print version:  |a Kunimoto, Namiko, 1974-  |t Stakes of exposure.  |d Minneapolis : University of Minnesota Press, 2017  |z 9781517900953  |w (DLC) 2016046647  |w (OCoLC)960905843 
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