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Making icons : repetition and the female image in Japanese cinema, 1945-1964 /

One distinctive feature of post-war Japanese cinema is the frequent recurrence of imagistic and narrative tropes and formulaic characterisations in female representations. These repetitions are important, Jennifer Coates asserts, because sentiments and behaviours forbidden during the war and post-wa...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Coates, Jennifer, 1942- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hong Kong : Hong Kong University Pres, [2016]
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Making icons :  |b repetition and the female image in Japanese cinema, 1945-1964 /  |c Jennifer Coates. 
246 3 0 |a Repetition and the female image in Japanese cinema, 1945-1964 
264 1 |a Hong Kong :  |b Hong Kong University Pres,  |c [2016] 
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504 |a Includes bibliographical references, filmography, and index. 
505 0 |a Introduction -- 1. Post-war stars and the Japanese studio system -- 2. The suffering mother trope -- 3. Post-war housewives and the tsuma-mono -- 4. Schoolgirls and bourgeois daughters -- 5. Women in the public sphere -- 6. Theorizing excess and the abject -- 7. Bodies of excess -- Conclusion. 
520 8 |a One distinctive feature of post-war Japanese cinema is the frequent recurrence of imagistic and narrative tropes and formulaic characterisations in female representations. These repetitions are important, Jennifer Coates asserts, because sentiments and behaviours forbidden during the war and post-war social and political changes were often articulated by or through the female image. 
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