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Fragments, Futures, Absence and the Past : a New Approach to Photography.
According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment. Instead of counting o...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bielefeld :
Transcript Verlag,
2016.
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| Colección: | Image.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Helmerdig, Silke. | |
| 245 | 1 | 0 | |a Fragments, Futures, Absence and the Past : |b a New Approach to Photography. |
| 260 | |a Bielefeld : |b Transcript Verlag, |c 2016. | ||
| 300 | |a 1 online resource (207 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | |a Cover; Contents ; Introduction. "After Auschwitz" -- photography and the principle of hope ; Chapter 1. Photography and historiography ; Chapter 2. Post-War Germany and its remembrance of the Holocaust ; Chapter 3. The representation of absence in photography ; Chapter 4: Epilogue. Photography: A future subjunctive for the past. | |
| 504 | |a Bibliography Books; Journals; Websites; Films; Acknowledgements. | ||
| 520 | |a According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment. Instead of counting on the documentary quality of photography that speaks in the past tense of "what has been", Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of "what could be, if", allowing one to think possible futures instead of harking back to the past. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Documentary photography |x History. | |
| 650 | 0 | |a Historiography and photography. | |
| 650 | 0 | |a Holocaust, Jewish (1939-1945) | |
| 650 | 0 | |a Collective memory |z Germany |x History |y 20th century. | |
| 650 | 0 | |a Photography. | |
| 650 | 6 | |a Photographie documentaire |x Histoire. | |
| 650 | 6 | |a Historiographie et photographie. | |
| 650 | 6 | |a Holocauste, 1939-1945. | |
| 650 | 6 | |a Mémoire collective |z Allemagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Photographie. | |
| 650 | 7 | |a COMPUTERS |x Digital Media |x Photography. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Reference. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Imaging Systems. |2 bisacsh | |
| 650 | 7 | |a ART / Criticism & Theory |2 bisacsh | |
| 650 | 7 | |a Collective memory. |2 fast |0 (OCoLC)fst01739814 | |
| 650 | 7 | |a Documentary photography. |2 fast |0 (OCoLC)fst00896093 | |
| 650 | 7 | |a Historiography and photography. |2 fast |0 (OCoLC)fst01201099 | |
| 650 | 7 | |a Photography. |2 fast |0 (OCoLC)fst01061714 | |
| 651 | 7 | |a Germany. |2 fast |0 (OCoLC)fst01210272 | |
| 647 | 7 | |a Jewish Holocaust |d (1939-1945) |2 fast |0 (OCoLC)fst00958866 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Helmerdig, Silke. |t Fragments, Futures, Absence and the Past : A New Approach to Photography. |d Bielefeld : transcript Verlag, ©2016 |z 9783837636246 |
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