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Ego sum : corpus, anima, fabula /

First published in 1979 but never available in English until now, Ego Sum challenges, through a careful and unprecedented reading of Descartes's writings, the picture of Descartes as the father of modern philosophy: the thinker who founded the edifice of knowledge on the absolute self-certainty...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nancy, Jean-Luc (Autor)
Otros Autores: Morin, Marie-Eve (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: New York : Fordham University Press, 2016.
Edición:First edition.
Temas:
Acceso en línea:Texto completo

MARC

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240 1 0 |a Ego sum.  |l English 
245 1 0 |a Ego sum :  |b corpus, anima, fabula /  |c Jean-Luc Nancy ; translated and with an introduction by Marie-Eva Morin. 
250 |a First edition. 
264 1 |a New York :  |b Fordham University Press,  |c 2016. 
264 4 |c ©2016 
300 |a 1 online resource (xxv, 138 pages .) 
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546 |a Translated from the French. 
500 |a Includes blbiographical references. 
588 0 |a Print version record. 
505 0 |a Preface to the English edition -- Translator's introduction -- Ego sum : opening -- Dum Scribo -- Larvatus pro deo -- Mundus est fabula -- Unum quid. 
520 |a First published in 1979 but never available in English until now, Ego Sum challenges, through a careful and unprecedented reading of Descartes's writings, the picture of Descartes as the father of modern philosophy: the thinker who founded the edifice of knowledge on the absolute self-certainty of a Subject fully transparent to itself. While other theoretical discourses, such as psychoanalysis, have also attempted to subvert this Subject, Nancy shows how they always inadvertently reconstituted the Subject they were trying to leave behind. Nancy's wager is that, at the moment of modern subjectivity's founding, a foundation that always already included all the possibilities of its own exhaustion, another thought of "the subject" is possible. By paying attention to the mode of presentation of Descartes's subject, to the masks, portraits, feints, and fables that populate his writings, Jean-Luc Nancy shows how Descartes's ego is not the Subject of metaphysics but a mouth that spaces itself out and distinguishes itself 
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