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Capital and popular cinema : the dollars are coming! /
Popular cinema has mostly been discussed from a 'cult' perspective that celebrates uncritically its 'transgressive' qualities. Capital and popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and cultura...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2016.
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| Colección: | Manchester Film Studies
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Vitali, Valentina, |e author. | |
| 245 | 1 | 0 | |a Capital and popular cinema : |b the dollars are coming! / |c Valentina Vitali. |
| 264 | 1 | |a Manchester : |b Manchester University Press, |c 2016. | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (216 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 0 | |a Manchester Film Studies | |
| 504 | |a Includes bibliographical references (pages 185-200), filmography (pages 201-206) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover ; Capital and popular cinema; Contents; List of figures ; Acknowledgements ; Introduction: national cinema and unstable genres ; 1 The time of popular cinema ; 2 The exclusion of giallo films from the history of Italian cinema; 3 Mexico: the cinema of Fernando Méndez; 4 The Hindi horror films of the Ramsay brothers; Conclusion; Notes; Bibliography; Filmography; Index. | |
| 520 | 8 | |a Popular cinema has mostly been discussed from a 'cult' perspective that celebrates uncritically its 'transgressive' qualities. Capital and popular cinema responds to the need for a more solid academic approach by situating 'low' film genres in their economic and culturally-specific contexts and by exploring the interconnections between those contexts, the immediate industrial-financial interests sustaining the films, and the films' aesthetics. Through the examination of three different cycles in film production - the Italian giallo of Mario Bava, the Mexican films of Fernando Mňdez, and the Hindi horror cinema of the Ramsay Brothers - this book proposes a comparative approach that accounts for the whole of a national film industry's production ('popular' and 'canonic'), and is applicable to the study of film genres globally. | |
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Cult films |x History and criticism. | |
| 650 | 0 | |a Cult films |x Economic aspects. | |
| 650 | 6 | |a Films cultes |x Histoire et critique. | |
| 650 | 6 | |a Films cultes |x Aspect économique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Cult films |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Vitali, Valentina. |t Capital and popular cinema. |z 9780719099656 |z 071909965X |w (OCoLC)948973345 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv18b5mvm |z Texto completo |
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