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161004s2016 enka ob 001 0 eng d |
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|a UAMI
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|a Haran, Barnaby,
|e author.
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|a Watching the red dawn :
|b the American avant-garde and the Soviet Union /
|c Barnaby Haran.
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|a Manchester :
|b Manchester University Press,
|c 2016.
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|a 1 online resource (x, 213 pages) :
|b illustrations (black and white
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|a text
|b txt
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|a online resource
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Cover; Watching the red dawn; Contents; List of figures; Acknowledgements; Introduction: the red Atlantic; 1. Constructivism in the USA: machine art and architecture at The Little Review exhibitions; 2. The mass and the machine: The New Playwrights Theatre and American radical Constructivism; 3. Kino in America: Soviet montage and the American cinematic avant-garde; 4. Camera eyes: the worker photography movement and the New Vision in America; Epilogue: red train journeys; Bibliography; Index.
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|a This title provides an examination of the cultural relations of the American and Soviet avant-gardes in a period of major transformation. From the formation of the USSR in 1922 until its recognition by the American government, American avant-garde artists, writers and designers watched the 'Red Dawn' with fascination, enthusiastically reporting on its post-revolutionary cultural developments in articles and books, and brought these works to an American audience in ground-breaking exhibitions. Americans also emulated and adapted aspects of Soviet culture, as in the case of the New Playwrights Theatre, a group that mixed Russian avant-garde theatrical techniques with jazz, vaudeville and slapstick comedy in plays about strikes and racial injustice.
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|a Avant-garde (Aesthetics)
|z Soviet Union.
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|a Avant-garde (Aesthetics)
|z United States.
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|i Print version:
|a Haran, Barnaby.
|t Watching the red dawn.
|z 0719097223
|z 9780719097225
|w (OCoLC)948972423
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830 |
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0 |
|a Book collections on Project MUSE.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvnb7jsr
|z Texto completo
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