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The elocutionists : women, music, and the spoken word /
"Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
2017.
|
| Colección: | Music in American life.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Wilson Kimber, Marian, |d 1960- |e author. | |
| 245 | 1 | 4 | |a The elocutionists : |b women, music, and the spoken word / |c Marian Wilson Kimber. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c 2017. | |
| 300 | |a 1 online resource | ||
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| 337 | |a computer |b n |2 rdamedia | ||
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| 490 | 1 | |a Music in American life | |
| 520 | |a "Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music"-- |c Provided by publisher. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher. | |
| 505 | 0 | |a Cover; Title; Copyright; Contents; Preface: Hearing Lost Voices; Acknowledgments; 1. The Odyssey of a Nice Girl: Elocution and Women's Cultural Aspirations; 2. Making Elocution Musical: Accompanied Recitation and the Musical Voice; 3. Reading the Fairies: Shakespeare in Concert with Mendelssohn's A Midsummer Night's Dream; 4. Sentimentality and Gender in Musically Accompanied Recitations; 5. Grecian Urns in Iowa Towns: Delsarte and The Music Man; 6. In Another Voice: Women and Dialect Recitations. | |
| 505 | 8 | |a 7. Womanly Women and Moral Uplift: Female Readers and Concert Companies on the Chautauqua Circuit8. Multiplying Voices: American Women and the Music of Choral Speaking; 9. Words and Music Ladies: The Careers of Phyllis Fergus and Frieda Peycke; 10. Women's Work, Women's Humor: Musical Recitations by Female Composers; Afterword: Echoes of Elocutionary Arts; Appendix; Notes; Index. | |
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| 650 | 0 | |a Oral interpretation. | |
| 650 | 0 | |a Elocutionists |z United States. | |
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| 650 | 0 | |a Women and literature |z United States |x History |y 20th century. | |
| 650 | 0 | |a Women performance artists |z United States. | |
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| 650 | 6 | |a Théâtre musical contemporain |z États-Unis. | |
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| 650 | 6 | |a Récitation en chœur. | |
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| 776 | 0 | 8 | |i Print version: |a Kimber, Marian Wilson, 1960- |t Elocutionists. |d Urbana : University of Illinois Press, 2017 |z 9780252040719 |w (DLC) 2016023977 |
| 830 | 0 | |a Music in American life. | |
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