Graphic borders : Latino comic books past, present, and future /

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<P>From the influential work of Los Bros Hernandez in <em>Love & Rockets</em>, to comic strips and political cartoons, to traditional superheroes made nontraditional by means of racial and sexual identity (e.g., Miles Morales/Spider-Man), comics have become a vibrant medium to...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Aldama, Frederick Luis, 1969- (Editor ), González, Christopher (Editor )
Formato: Documento de Gobierno Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2016.
Edición:First edition.
Colección:World comics and graphic nonfiction series.
Temas:
Comic books, strips, etc. > Latin America > Criticism and interpretation.
Comic books, strips, etc. > Social aspects > Latin America.
Popular culture > Latin America.
Culture populaire > Amérique latine.
ART > Techniques > Drawing.
LITERARY CRITICISM / Comics & Graphic Novels
Comic books, strips, etc.
Comic books, strips, etc. > Social aspects
Popular culture
Latin America > History > Comic books, strips, etc.
Amérique latine > Histoire > Bandes dessinées.
Latin America
Electronic books.
Comics (Graphic works)
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Taking Back Control of Our Story Space:A Foreword (Frank Espinosa); Latino Comic Books Past, Present, and Future-A Primer (Frederick Luis Aldama and Christopher González); Part I. Alternativas; 1. Out of Sequence: Time and Meaning in Los Bros Hernandez Patrick L. Hamilton; 2. Recreative Graphic Novel Acts in Gilbert Hernandez's Twenty-First-Century Neo-Noirs (Frederick Luis Aldama); 3. Three Decades with Gilbert and Jaime Hernandez: An Odyssey by Interview (Christopher González); Part II. Cuerpo Comics.
  • 4. Biographic Challenges: Wilfred Santiago's 21: The Story of Roberto Clemente (Christopher González)5. Wrestling with Comic Genres and Genders: Luchadores as Signifiers in Sonambulo and Locas (Ellen M. Gil-Gómez); Part III. Tortilla Strips; 6. Latino Identity and the Market: Making Sense of Cantú and Castellanos's Baldo (Héctor Fernández L'Hoeste); 7. The Archeology of the Post-social in the Comics of Lalo Alcaraz: La Cucaracha and Migra Mouse: Political Cartoonson Immigration (Juan Poblete); 8. My Debt to Rius (Ilan Stavans); Part IV. A Bird, a Plane ... Straight and Queer Super-Lats.
  • 9. The Alien Is Here to Stay: Otherness, Anti-Assimilation, and Empowerment in Latino/a Superhero Comics Mauricio Espinoza10. Anya Sofía (Araña) Corazón: The Inner Webbings and Mexi-Ricanization of Spider- Girl (Isabel Millán); 11. Revealing Secret Identities: Gay Latino Superheroes and the Necessity of Disclosure (Richard T. Rodríguez); Part V. Multiverses, Admixtures, and More; 12. Everybody Wants to Rule the Multiverse: Latino Spider-Men in Marvel's Media Empire (Kathryn M. Frank); 13. Mapping the Blatino Badlands and Borderlands of American Pop Culture (Adilifu Nama and Maya Haddad).
  • 14. The Paradox of Miles Morales:Social Gatekeeping and the Browningof America's Spider-Man (Brian Montes)Works Cited; Contributor Notes; Index.

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