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Photography after photography : gender, genre, and history /
In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they s...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2017.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Solomon-Godeau, Abigail, |e author. | |
| 245 | 1 | 0 | |a Photography after photography : |b gender, genre, and history / |c Abigail Solomon-Godeau ; edited by Sarah Parsons. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (xxv, 255 pages) : |b illustrations (black and white) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | 0 | |t Inside/out (1995) -- |t Written on the body (1997) -- |t The family of man : refurbishing humanism for a postmodern age (2004) -- |t Torture at Abu Ghraib : in and out of the media (2007) -- |t Harry Callahan : gender, genre, and street photography (2007) -- |t Caught looking : Susan Meiselas's Carnival strippers (2008) -- |t Framing landscape photography (2010) -- |t The ghosts of documentary (2012) -- |t Inventing Vivian Maier : categories, careers, and commerce (2013) -- |t Robert Mapplethorpe : whitewashed and polished (2014) -- |t Body double (2014) -- |t The coming of age : Cindy Sherman, feminism, and art history (2014) |
| 520 | |a In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on August 20, 2020). | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Photography, Artistic. | |
| 650 | 0 | |a Photography |x Philosophy. | |
| 650 | 0 | |a Feminism and art. | |
| 650 | 6 | |a Photographie artistique. | |
| 650 | 6 | |a Photographie |x Philosophie. | |
| 650 | 6 | |a Féminisme et art. | |
| 650 | 7 | |a art photography. |2 aat | |
| 650 | 7 | |a COMPUTERS |x Digital Media |x Photography. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Reference. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Imaging Systems. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Criticism. |2 bisacsh | |
| 650 | 7 | |a Feminism and art |2 fast | |
| 650 | 7 | |a Photography, Artistic |2 fast | |
| 650 | 7 | |a Photography |x Philosophy |2 fast | |
| 700 | 1 | |a Parsons, Sarah |q (Sarah Caitlin), |d 1971- |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Solomon-Godeau, Abigail. |t Photography after photography. |d Durham : Duke University Press, 2017 |z 9780822362517 |w (DLC) 2016037598 |w (OCoLC)950955046 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11cw0v3 |z Texto completo |
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