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|a UAMI
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|a Neary, Janet,
|e author.
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|a Fugitive testimony :
|b on the visual logic of slave narratives /
|c Janet Neary.
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|a On the visual logic of slave narratives
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|a New York :
|b Fordham University Press,
|c 2017.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a Includes bibliographical references and index.
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|a Introduction : representational static -- Sight unseen : contemporary visual slave narratives -- Behind the scenes and inside out : Elizabeth Keckly's use of the slave narrative form -- Optical allusions: textual visuality in running a thousand miles for freedom -- "The shadow of the cloud" : racial speculation and cultural vision in Solomon Northup's Twelve years a slave -- Gestures against movements : Henry Box Brown and economies of narrative performance -- Epilogue : racial violence, racial capitalism, and reading revolution: Harriet Jacobs, John Jones, Kerry James Marshall, and Kyle Baker.
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|a "Fugitive Testimony examines African American slave narratives in light of contemporary artists' use of the genre within their visual art at the end of the twentieth century. It identifies a sustained representational strategy employed by black cultural producers across time to challenge the racial presumptions that manifest as artistic constraints." -- Provided by publisher.
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|a Print version record.
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|a "Fugitive Testimony examines African American slave narratives in light of contemporary artists' use of the genre within their visual art at the end of the twentieth century. It identifies a sustained representational strategy employed by black cultural producers across time to challenge the racial presumptions that manifest as artistic constraints."--Provided by publisher
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Slave narratives
|z United States
|x History and criticism.
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|a Slavery in art.
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|a Semiotics and the arts.
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|a Art, Modern
|y 20th century
|x Themes, motives.
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|a Récits d'esclaves
|z États-Unis
|x Histoire et critique.
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|a Sémiotique et arts.
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|a Art
|y 20e siècle
|x Thèmes, motifs.
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|a LITERARY CRITICISM
|x American
|x African American.
|2 bisacsh
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|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
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|a Art, Modern
|x Themes, motives
|2 fast
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|a Semiotics and the arts
|2 fast
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|a Slave narratives
|2 fast
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|a Slavery in art
|2 fast
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|a United States
|2 fast
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|a 1900-1999
|2 fast
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|a Electronic books.
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Neary, Janet.
|t Fugitive testimony.
|d New York : Fordham University Press, [2017]
|z 9780823272891
|w (DLC) 2016014311
|w (OCoLC)941874950
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1dwstms
|z Texto completo
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|a Askews and Holts Library Services
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|a Digitalia Publishing
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|a EBSCOhost
|b EBSC
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|a Oxford University Press USA
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