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Portraits of the artist as a young woman : painting and the novel in France and Britain, 1800-1860 /

This title focuses on a decisive period in the process of professional self-invention and maps out the concrete and symbolic roles played by women painters, real and fictional, in the construction of female artistic identity in the aesthetic and the public spheres. The author examines the diverse an...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wettlaufer, Alexandra
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Columbus : Ohio State University Press, ©2011.
Colección:UPCC book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Wettlaufer, Alexandra. 
245 1 0 |a Portraits of the artist as a young woman :  |b painting and the novel in France and Britain, 1800-1860 /  |c Alexandra K. Wettlaufer. 
260 |a Columbus :  |b Ohio State University Press,  |c ©2011. 
300 |a 1 online resource (xiv, 338 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references (pages 296-312) and index. 
505 0 |a Women in the studio: representing professional identity -- "Why are you no longer my brothers?" The Fraternité des arts and the female artist in Marceline Desbordes-Valmore's L'atelier d'un peintre -- Sisterhood in/as the studio: Anna Mary Howitt's sisters in art -- Visualizing imagined communities: lessons of the female artist in Staël, Owenson, and Lescot -- Revolutionary identities: painting and resistance in Owenson's The princess; or the beguine -- Angélique Arnaud's Clémence: art, revolution, and Saint-Simonianism -- Margaret Gillies and the miniature: portraits of radical engagement -- Brontë's portraits of romantic resistance: The tenant of Wildfell Hall -- From margin to center: Sand's portraits of difference. 
520 |a This title focuses on a decisive period in the process of professional self-invention and maps out the concrete and symbolic roles played by women painters, real and fictional, in the construction of female artistic identity in the aesthetic and the public spheres. The author examines the diverse and complex ways canonical and non-canonical women painters and novelists - including Anne Bronte, Sydney Owenson, Margaret Gillies, Marceline Desbordes-Valmore, George Sand, and Hortense Haudebourt-Lescot - figured and brought forth the radical image of a female subject representing the world.--Publisher. 
588 0 |a Print version record. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Women artists  |z France  |x History  |y 19th century. 
650 0 |a Women artists  |z England  |x History  |y 19th century. 
650 0 |a Women authors, French  |y 19th century. 
650 0 |a Women authors, English  |y 19th century. 
650 6 |a Écrivaines anglaises  |y 19e siècle. 
650 6 |a Écrivaines françaises  |y 19e siècle. 
650 6 |a Femmes artistes  |z Angleterre  |x Histoire  |y 19e siècle. 
650 6 |a Femmes artistes  |z France  |x Histoire  |y 19e siècle. 
650 7 |a LITERARY CRITICISM / General  |2 bisacsh 
650 7 |a Women artists.  |2 fast  |0 (OCoLC)fst01177159 
650 7 |a Women authors, English.  |2 fast  |0 (OCoLC)fst01177253 
650 7 |a Women authors, French.  |2 fast  |0 (OCoLC)fst01177270 
651 7 |a England.  |2 fast  |0 (OCoLC)fst01219920 
651 7 |a France.  |2 fast  |0 (OCoLC)fst01204289 
650 7 |a Künstlerin  |2 gnd 
650 7 |a Schriftstellerin  |2 gnd 
650 7 |a Selbstverständnis  |2 gnd 
651 7 |a Frankreich  |2 gnd 
651 7 |a England  |2 gnd 
650 7 |a Künstlerin.  |2 idszbz 
650 7 |a Selbstbildnis.  |2 idszbz 
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648 7 |a 1800-1899  |2 fast 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Wettlaufer, Alexandra.  |t Portraits of the artist as a young woman.  |d Columbus : Ohio State University Press, ©2011  |z 9780814211458  |z 0814211453  |w (DLC) 2010044738  |w (OCoLC)678923892 
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