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160806s2015 enk o 100 0 eng d |
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|a 0990895815
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|a UAMI
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|a Caughie, Pamela L.
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|a Virginia Woolf.
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|a Oxford :
|b Liverpool University Press,
|c 2015.
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|a 1 online resource (247 pages)
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|a text
|b txt
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|a online resource
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|a Woolf Selected Papers LUP
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|a Print version record.
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|a Cover; Table of Contents; Introduction; Acknowledgments; Abbreviations; War and Peace; Roundtable: Woolf and Violence; Intersections: Surveillance, Propaganda, and Just War; Modernism and Memorials: Virginia Woolf and Christopher Isherwood; Taking Up Her Pen for World Peace: Virginia Woolf, Feminist Pacifist. Or Not?; The Sex War and the Great War: Woolf 's Late Victorian Inheritance in Three Guineas; Sky Haunting: The British Motor-Car Industry and the World Wars; The 1914 "Expurgated Chunk": The Great War in and out of The Years.
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|a "Beauty, simplicity and peace": Faithful Pacifism, Activist Writing, and The YearsVirginia Woolf, Katharine Burdekin, and Britain's Cosmopolitan Musical Culture; Death in the Air: Virginia Woolf and Sylvia Townsend Warner in World War II; World Writer(s); Teaching Privileges: Three Guineas and the Cost of Global Citizenship; From Guineas to Riyals: Teaching Woolf in the Middle East; Fashionable Misconceptions: The Creation of the East in Virginia Woolf's Orlando; From London to Taipei: Writing the Past in "Wandering in the Garden, Waking from a Dream" and Mrs. Dalloway.
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|a An Estranged Intimacy with the World: The Postcolonial Woolf 's Planetary Love in The Voyage Out"Shakespeare's Sister": Woolf in the World Before A Room of One's Own; Leonard Woolf: Writing the World of Palestine, Zionism, and the State of Israel; Animal and Natural Worlds; "And the donkey brays": Donkeys at Work in Virginia Woolf; Companion Creatures: "Dogmanity" in Three Guineas; Virginia Woolf 's Object-Oriented Ecology; The Bodies In/Are The Waves; Stretching our "Antennae": Converging Worlds of the Seen and the Unseen in "Kew Gardens."
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|a "The Problem of Space": Embodied Language and the Body in Nature in To the Lighthouse"Whose Woods These Are": Virginia Woolf and the Primeval Forests of the Mind; Writing and Worldmaking; Negative Feminism and Anti-Development in Virginia Woolf 's The Voyage Out; Upheavals of Intimacy in To the Lighthouse; The Reconciliations of Poetry in Virginia Woolf 's Between the Acts; or, Why It's "perfectly ridiculous to call it a novel"; Virginia Woolf, Composition Theorist: How Imagined Audiences Can Wreck a Writer; The Precarity of "Civilization" in Woolf's Creative Worldmaking.
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|a Notes on ContributorsConference Program; Appendix.
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|a Edited collection addressing such themes as the creation of worlds through literary writing, Woolf's reception as a world writer, world wars and the centenary of the First World War, and natural worlds in Woolf's writings.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Woolf, Virginia,
|d 1882-1941
|x Criticism and interpretation
|v Congresses.
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|a Woolf, Virginia,
|d 1882-1941
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a Conference papers and proceedings
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|a Criticism, interpretation, etc.
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|a Swanson, Diana L.
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|i Print version:
|a Caughie, Pamela L.
|t Virginia Woolf: Writing the World.
|d Oxford : Liverpool University Press, ©2015
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|a Woolf Selected Papers LUP.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1gn6cc4
|z Texto completo
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|a EBSCOhost
|b EBSC
|n 1296476
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|a 92
|b IZTAP
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