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Fast forward : the future(s) of the cinematic arts /
Annotation
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Wallflower Press,
2016.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Willis, Holly, |e author. | |
| 245 | 1 | 0 | |a Fast forward : |b the future(s) of the cinematic arts / |c Holly Willis. |
| 264 | 1 | |a London : |b Wallflower Press, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed September 20, 2016). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Ch. 1. Past, present, future: situating post-cinema -- ch. 2. New practices/new paradigms -- ch. 3. Live cinema -- ch. 4. Urban screens/screened urbanism -- ch. 5. Books to watch, films to read, stories to touch: new interfaces for storytelling -- ch. 6. Virtual reality and the networked self -- Conclusion -- Notes -- Bibliography -- Index. | |
| 520 | 8 | |a Annotation |b Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured y new media in the twenty-first. Terms such as "worldbuilding," "virtual reality," and "transmedia" introduce new methods for constructing a screenplay and experiencing and sharing a story. Similarly, 3D cinematography, hypercinema, and visual effects require different modes for composing an image, and virtual technology, motion capture, and previsualization completely rearrange the traditional flow of cinematic production. What does this mean for telling stories? Fast Forward answers this question by investigating a full range of contemporary creative practices dedicated to the future of mediated storytelling and by connecting with a new generation of filmmakers, screenwriters, technologists, media artists, and designers to discover how they work now, and toward what end. From Chris Milk and Aaron Koblin's exploration of VR spherical filmmaking to Rebeca Méndez's projection and installation work exploring climate change to the richly mediated interactive live performances of the collective Cloud Eye Control, this volume captures a moment of creative evolution and sets the stage for imagining the future of the cinematic arts. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Motion pictures and television. | |
| 650 | 0 | |a Mass media and language. | |
| 650 | 0 | |a Motion picture industry. | |
| 650 | 6 | |a Cinéma et télévision. | |
| 650 | 6 | |a Médias et langage. | |
| 650 | 6 | |a Cinéma |x Industrie. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Mass media and language |2 fast | |
| 650 | 7 | |a Motion picture industry |2 fast | |
| 650 | 7 | |a Motion pictures and television |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Willis, Holly. |t Fast forward. |d London : Wallflower Press, 2016 |z 023117893X |z 9780231178938 |w (OCoLC)930485996 |
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