Film blackness : American cinema and the idea of black film /

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Michael Boyce Gillespie shifts the ways we think about black film, seeing it not as the representation of the black experience, but as the visual negotiation between film as art and the social construction of race, as well as an interdisciplinary form that enacts black visual and expressive culture.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gillespie, Michael Boyce, 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham ; London : Duke University Press, 2016.
Temas:
Race films.
African Americans in motion pictures.
Race in motion pictures.
Motion picture industry > United States.
Noirs américains au cinéma.
Race au cinéma.
Cinéma > Industrie > États-Unis.
PERFORMING ARTS > Reference.
PERFORMING ARTS > Film & Video > History & Criticism.
Motion picture industry.
United States.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction. We insist: the idea of black film
  • Reckless eyeballing : coonskin and the racial grotesque
  • Smiling faces : Chameleon street and Black performativity
  • Voices inside (everything is everything) : deep cover and modalities of noir blackness
  • Black maybe : medicine for melancholy, place, and quiet becoming
  • Coda. Destination out.

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