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Film blackness : American cinema and the idea of black film /
Michael Boyce Gillespie shifts the ways we think about black film, seeing it not as the representation of the black experience, but as the visual negotiation between film as art and the social construction of race, as well as an interdisciplinary form that enacts black visual and expressive culture.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham ; London :
Duke University Press,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Gillespie, Michael Boyce, |d 1969- |e author. | |
| 245 | 1 | 0 | |a Film blackness : |b American cinema and the idea of black film / |c Michael Boyce Gillespie. |
| 264 | 1 | |a Durham ; |a London : |b Duke University Press, |c 2016. | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (xi, 231 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction. We insist: the idea of black film -- Reckless eyeballing : coonskin and the racial grotesque -- Smiling faces : Chameleon street and Black performativity -- Voices inside (everything is everything) : deep cover and modalities of noir blackness -- Black maybe : medicine for melancholy, place, and quiet becoming -- Coda. Destination out. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Michael Boyce Gillespie shifts the ways we think about black film, seeing it not as the representation of the black experience, but as the visual negotiation between film as art and the social construction of race, as well as an interdisciplinary form that enacts black visual and expressive culture. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Race films. | |
| 650 | 0 | |a African Americans in motion pictures. | |
| 650 | 0 | |a Race in motion pictures. | |
| 650 | 0 | |a Motion picture industry |z United States. | |
| 650 | 6 | |a Noirs américains au cinéma. | |
| 650 | 6 | |a Race au cinéma. | |
| 650 | 6 | |a Cinéma |x Industrie |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Race films. |2 fast |0 (OCoLC)fst01736846 | |
| 650 | 7 | |a African Americans in motion pictures. |2 fast |0 (OCoLC)fst00799733 | |
| 650 | 7 | |a Motion picture industry. |2 fast |0 (OCoLC)fst01027150 | |
| 650 | 7 | |a Race in motion pictures. |2 fast |0 (OCoLC)fst01086507 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 776 | 0 | 8 | |i Print version: |a Gillespie, Michael Boyce, 1969- |t Film blackness. |d Durham : Duke University Press, 2016 |z 9780822362050 |z 9780822362265 |w (DLC) 2016010797 |w (OCoLC)929591998 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1131bn9 |z Texto completo |
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