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At face value & beyond : photographic constructions of reality /

How to account for the peculiar attraction of certain photos? How to pinpoint the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis, as well as from sociological, aesth...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Schwärzler, Monika
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Bielefeld] : Transcript Verlag, 2016.
Colección:Image (Transcript (Firm)) ; v. 75.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a At face value & beyond :  |b photographic constructions of reality /  |c Monika Schwärzler. 
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260 |a [Bielefeld] :  |b Transcript Verlag,  |c 2016. 
300 |a 1 online resource (187 pages) :  |b illustrations (some color) 
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520 |a How to account for the peculiar attraction of certain photos? How to pinpoint the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis, as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value.--  |c Provided by publisher. 
504 |a Includes bibliographical references (pages 181-187). 
546 |a In English; one paper translated from the original German. 
505 0 0 |t Frontmatter --  |t Acknowledgment --  |t Inhalt --  |t Introductory Remarks --  |t Conscious and Semi-Conscious States of the Camera: Comments on a History of Photographic Parapraxes --  |t Dressed to Suffer and Redeem: Staged Photography Featuring Biblical Narratives --  |t Blocked View and Impeded Vision: An Affective Response to the Photographs of Maria Hahnenkamp and Thomas Struth --  |t Unedited Glamor: The Vienna Opera Ball and Its Rendition by Network Cameras --  |t Lost in Pleasure: Mad Joy in Images of Youth Culture --  |t Death Can Wait: Images of Old Age and Dying in Austrian Hospice Campaigns --  |t "The Beast": On the Photographic Staging of the Large Hadron Collider at the Nuclear Research Center in Geneva --  |t Denigrative Views: On the Deconstruction of Visages in Print Media --  |t The White Handbag: Photography and Ownership --  |t References. 
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600 1 7 |a Struth, Thomas  |d 1954-  |2 gnd 
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650 0 |a Visual communication in art. 
650 0 |a Photography, Artistic. 
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650 6 |a Communication visuelle dans l'art. 
650 6 |a Photographie artistique. 
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650 7 |a Society and culture: general.  |2 bicssc 
650 7 |a Society and social sciences Society and social sciences.  |2 bicssc 
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650 7 |a Visual communication in art.  |2 fast  |0 (OCoLC)fst01168010 
776 0 8 |i Print version:  |a Schwärzler, Monika.  |t At face value & beyond.  |d [Bielefeld] : Transcript Verlag, 2016  |w (DLC) 2016418357 
830 0 |a Image (Transcript (Firm)) ;  |v v. 75. 
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