Sovereign violence : ethics and South Korean cinema in the new millennium /
While making reference to dozens of films from the first decade of the twenty-first century, 'Sovereign Violence' performs sustained, comprehensive readings of twenty-one of the most well-known contemporary South Korean films directed by eight auteurs: Hong Sang-soo, Im Sang-soo, Gok and S...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Amsterdam :
Amsterdam University Press,
[2016]
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Colección: | Film culture in transition.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- 1. Unredeemable Images
- Address Unknown (2001) and the Ethical Question
- Bad Guy (2001) and Visual Demoralization
- Coda: The Other Repetition in Capitalist Manifesto: Working Men of All Countries, Accumulate! (2003)
- 2. "Love Your Enemies"
- Sophie's Choice in JSA: Joint Security Area (2000)
- The Moral Economy of Sympathy for Mr. Vengeance (2002)
- Oldboy and Sovereign Judgment
- 3. "Serial Sexualities and Accidental Desires"
- Repetition and Critique in Virgin Stripped Bare by Her Bachelors (2000)
- The Temporality of Modern Romance: Woman is the Future of Man
- Coda: Camel(s) (2002) and the Cinema of a Generation
- 4. "The Face and Hospitality"
- N.E.P.A.L.: Never Ending Peace and Love (2003) and the Name of the Other Face
- Memories of Murder (2003) and the Unreadable Face
- Kim Ki-duk's Untimely Critique: The Face in 3-Iron (2004)
- 5. "Forgiving the Unforgivable"
- Forgiveness as Exception in Lady Vengeance (2005)
- Secret Sunshine (2007) in the Light of Political Theology
- Cinema Beyond Melodrama: Poetry (2010)
- 6. "Global Cinema in the Age of Posthumanity"
- The Restoration of Romance in I'm a Cyborg, But That's OK (2006)
- Plastic Love and Time (2006)
- The Profanation of the Priest: Thirst (2009)
- Conclusion: Afterlives of Sovereign Violence
- Notes
- Bibliography
- Index.