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JSTOR_ocn953581544 |
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160714s2016 ne ob 001 0 eng d |
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|a N$T
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|a 957615420
|a 957737336
|a 958350417
|a 959884324
|a 1175641428
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|a 9789048524976
|q (electronic bk.)
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|a 9048524970
|q (electronic bk.)
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|a 9089647392
|q (hardback)
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|a 9789089647399
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|z 9789089647399
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|a CHNEW
|b 000912755
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|a CHVBK
|b 483096342
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|a (OCoLC)953581544
|z (OCoLC)957615420
|z (OCoLC)957737336
|z (OCoLC)958350417
|z (OCoLC)959884324
|z (OCoLC)1175641428
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|a 22573/ctt1d32pmx
|b JSTOR
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|a PN1995.9.P7
|b B44 2016eb
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|a PER
|x 009000
|2 bisacsh
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|a 791.4302/33
|2 23
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|a UAMI
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|a Behlil, Melis,
|e author.
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|a Hollywood is everywhere :
|b global directors in the blockbuster era /
|c Melis Behlil.
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|a Amsterdam :
|b Amsterdam University Press,
|c 2016.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Film culture in transition
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|a Includes bibliographical references and index.
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|a Online resource, title from PDF title page (Ebsco, viewed on August 31, 2016).
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|a Defining Hollywood -- Cultural work in a globalizing world -- Histories and geographies of global directors -- A view to a franchise: James Bond -- "Once more with the volume up": auto-remakes' -- I want my MTV: advertising and music videos -- Conclusion: "everywhere is Hollywood."
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|a Hollywood has a long tradition of bringing in emigre directors from around the world, dating back to the silent era. Today, as the film industry is ever more global, the people who make blockbuster movies seemingly reflect this tradition, hailing from many countries across the world. But that fact hides a fundamental difference, one that Melis Behlil examines in Hollywood is Everywhere: today's Hollywood studios are themselves transnational, with ownership structures and financial arrangements that stretch far beyond the borders of the United States. Seen in that context, today's international directors are less analogous to the emigre talent of the past than to ordinary transnational employees of other major global corporations.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Motion pictures
|x Production and direction.
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|a Motion picture producers and directors.
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|a Motion pictures and globalization.
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|a Motion picture industry
|x Finance.
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|a Cinéma
|x Production et réalisation.
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|a Producteurs et réalisateurs de cinéma.
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|a Cinéma et mondialisation.
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|a Cinéma
|x Industrie
|x Finances.
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|a filmmakers.
|2 aat
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|a Film theory and criticism.
|2 bicssc
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Motion picture industry
|x Finance
|2 fast
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|a Motion picture producers and directors
|2 fast
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|a Motion pictures and globalization
|2 fast
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|a Motion pictures
|x Production and direction
|2 fast
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|a Los Angeles- Hollywood
|2 gnd
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776 |
0 |
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|i Print version:
|a Behlil, Melis.
|t Hollywood is everywhere.
|d Amsterdam : Amsterdam University Press, 2016
|w (DLC) 2016514039
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830 |
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0 |
|a Film culture in transition.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1d390th
|z Texto completo
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938 |
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|a Amsterdam University Press
|b AUPA
|n 9789048524976
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH30708197
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938 |
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|a De Gruyter
|b DEGR
|n 9789048524976
|
938 |
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|a Digitalia Publishing
|b DGIT
|n DIGAMSTUP0070
|
938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL4586921
|
938 |
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|a EBSCOhost
|b EBSC
|n 1282602
|
938 |
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|a YBP Library Services
|b YANK
|n 13075036
|
994 |
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|a 92
|b IZTAP
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