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Expressive forms in Brahms's instrumental music : structure and meaning in his Werther quartet /
"Johannes Brahms's dramatic Piano Quartet in C Minor, Opus 60, famously known as the Werther Quartet, forms the basis for Peter H. Smith's illuminating theoretical study. Throughout the book, Smith synthesizes the often-opposed approaches of Schenker and Schoenberg, discussing the int...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
©2005.
|
| Colección: | Musical meaning and interpretation.
|
| Temas: |
Brahms, Johannes,
> 1833-1897.
> Quartets,
> piano, violin, viola, cello,
> no. 3, op. 60,
> C minor.
Brahms, Johannes
> 1833-1897
> Quartette
> Violine
> Viola
> Violoncello
> Klavier
> Nr. 3
> op. 60
> c-Moll
|
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Quintessential Brahms and the paradox of the C-minor piano quartet : a representative yet exceptional work
- Analytical preliminaries : Brahms's sonata forms and the idea of dimensional counterpoint
- A Schoenbergian perspective : compositional economy, developing recapitulation, and large-scale form
- Brahms and Schenker : a mutual response to sonata form
- Brahms's expository strategies : two-part second groups, three-key expositions, and modal shifts
- Toward an expressive interpretation : correlations for suicidal despair
- Intertextual resonances : tragic expression, dimensional counterpoint, and the great C-minor tradition.