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Cinéma militant : political filmmaking and May 1968 /

Annotation

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Grant, Paul Douglas (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Wallflower Press, [2016]
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Cinéma militant :  |b political filmmaking and May 1968 /  |c Paul Douglas Grant. 
264 1 |a London :  |b Wallflower Press,  |c [2016] 
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504 |a Includes filmography, bibliographical references (pages 211-216) and index. 
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520 8 |a Annotation  |b This history covers the filmmaking tradition often referred to as cinéma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers spécialisés), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cinélutte, Les groupes medvedkine, Atelier de recherche cinématographique, Cinéthique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories. 
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