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Experimental affinities in music /
Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden t...
| Clasificación: | Libro Electrónico |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven, Belgium :
Leuven University Press,
[2015]
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| Colección: | Orpheus Institute series.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction / Paulo de Assis – Explosive experiments and the fragility of the experimental / Lydia Goehr – Omnis ars ex experiments dependeat : “experiments” in fourteenth-century musical thought / Felix Diergarten – “Vieltönigkeit” instead of microtonality : the theory and practice of sixteenth- and seventeenth-century “microtonal” music / Martin Kirnbauer – Inscriptions : an interview with Helmut Lachenmann / Helmut Lachenmann – Nuance and innovation in Part I of the “48” / Mark Lindley – Tales from Babel : musical adventures in the science of hearing / Edward Wickham – From clockwork to pulsation : music and afterlife in the eighteenth century / Lawrence Kramer – The inner ear : an interview with Leon Fleisher / Leon Fleisher – Execution, interpretation, performance : the history of a terminological conflict / Hermann Danuser – Monumental theory / Thomas Christensen – Testing respect(fully) : an interview with Frederic Rzewski / Luk Vaes and Frederic Rzewski.