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|a CUI
|b eng
|e rda
|e pn
|c CUI
|d CUI
|d OCLCF
|d OCLCQ
|d WY@
|d OAPEN
|d JSTOR
|d CEF
|d YOU
|d ERL
|d ICN
|d UAB
|d LOA
|d ESU
|d UWO
|d U3W
|d LVT
|d OCLCQ
|d TXR
|d OCLCQ
|d VXI
|d OCLCQ
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|d OCLCO
|d OCLCQ
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|a 9789461661883
|q (electronic bk.)
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|a 9461661886
|q (electronic bk.)
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|z 9789462700611
|q (print ISBN)
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|a GBVCP
|b 865792925
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|a AU@
|b 000063546222
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|a (OCoLC)948825219
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|a 22573/ctv29bbzg
|b JSTOR
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|a ML160
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|a MUS
|x 041000
|2 bisacsh
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|a [E]
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|a UAMI
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|a Experimental affinities in music /
|c edited by Paulo de Assis.
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|c ©2015
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|a Leuven, Belgium :
|b Leuven University Press,
|c [2015]
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Orpheus Institute series
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|a Online resource; title from PDF title page (oapen, viewed May 6, 2016).
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|a Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples--oapen website.
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|a Includes bibliographical references and index.
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|a Introduction / Paulo de Assis – Explosive experiments and the fragility of the experimental / Lydia Goehr – Omnis ars ex experiments dependeat : “experiments” in fourteenth-century musical thought / Felix Diergarten – “Vieltönigkeit” instead of microtonality : the theory and practice of sixteenth- and seventeenth-century “microtonal” music / Martin Kirnbauer – Inscriptions : an interview with Helmut Lachenmann / Helmut Lachenmann – Nuance and innovation in Part I of the “48” / Mark Lindley – Tales from Babel : musical adventures in the science of hearing / Edward Wickham – From clockwork to pulsation : music and afterlife in the eighteenth century / Lawrence Kramer – The inner ear : an interview with Leon Fleisher / Leon Fleisher – Execution, interpretation, performance : the history of a terminological conflict / Hermann Danuser – Monumental theory / Thomas Christensen – Testing respect(fully) : an interview with Frederic Rzewski / Luk Vaes and Frederic Rzewski.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Open Access
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|a Music
|x History and criticism.
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|a Arts
|x Experimental methods.
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|a Musique
|x Histoire et critique.
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|a Arts
|x Méthodes expérimentales.
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|a Music.
|2 bicssc
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|a The arts.
|2 bicssc
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|a Theory of music and musicology.
|2 bicssc
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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|a Arts
|x Experimental methods
|2 fast
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|a Music
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a Assis, Paulo de,
|e editor.
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|i Print version:
|t Experimental affinities in music.
|d Leuven : Katholieke Universiteit Leuven 2016
|z 9789462700611
|w (OCoLC)934618166
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830 |
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|a Orpheus Institute series.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2bctk7
|z Texto completo
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938 |
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|a YBP Library Services
|b YANK
|n 302847822
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938 |
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|a OAPEN Foundation
|b OPEN
|n 587990
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|a 92
|b IZTAP
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