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Subversive stages : theater in pre- and post-communist Hungary, Romania, and Bulgaria /
Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Pl...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Budapest ; New York :
Central European University Press, an imprint of the Central European University Limited Liability Company,
2017.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel
- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island
- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary
- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold
- Staging Hamlet as political no exit in Géza Bereményi's Halmi
- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet
- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots
- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc