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Subversive stages : theater in pre- and post-communist Hungary, Romania, and Bulgaria /

Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Pl...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Orlich, Ileana Alexandra (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Budapest ; New York : Central European University Press, an imprint of the Central European University Limited Liability Company, 2017.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Orlich, Ileana Alexandra,  |e author. 
245 1 0 |a Subversive stages :  |b theater in pre- and post-communist Hungary, Romania, and Bulgaria /  |c Ileana Alexandra Orlich. 
264 1 |a Budapest ;  |a New York :  |b Central European University Press, an imprint of the Central European University Limited Liability Company,  |c 2017. 
264 4 |c ©2017 
300 |a 1 online resource (xx, 217 pages) 
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520 |a Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Plays by Romanian, Hungarian and Bulgarian dramatists are examined, who are "retrofitting" the past by adapting the political crimes and horrifying tactics of totalitarianism to the classical theatre (with Shakespeare a favorite) to reveal the region's traumatic history. By the sustained analysis of the aesthet 
504 |a Includes bibliographical references and index 
505 0 |a The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc 
588 |a Description based on online resource; title from digital title page (viewed on August 10, 2022). 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
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600 1 0 |a Shakespeare, William,  |d 1564-1616  |x Adaptations  |x History and criticism. 
600 1 7 |a Shakespeare, William,  |d 1564-1616  |2 fast 
650 0 |a East European drama  |y 20th century  |x History and criticism. 
650 0 |a Russian drama  |x Adaptations  |x History and criticism. 
650 0 |a French drama  |x Adaptations  |x History and criticism. 
650 0 |a English drama  |x Adaptations  |x History and criticism. 
650 0 |a Communism and literature  |z Europe, Eastern. 
650 6 |a Théâtre est-européen  |y 20e siècle  |x Histoire et critique. 
650 6 |a Communisme et littérature  |z Europe de l'Est. 
650 7 |a PERFORMING ARTS  |x Theater  |x History & Criticism.  |2 bisacsh 
650 7 |a Communism and literature  |2 fast 
650 7 |a East European drama  |2 fast 
650 7 |a English drama  |x Adaptations  |2 fast 
650 7 |a Literature  |x Adaptations  |2 fast 
651 7 |a Eastern Europe  |2 fast 
648 7 |a 1900-1999  |2 fast 
655 0 |a Electronic books. 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Orlich, Ileana Alexandra.  |t Subversive stages.  |d Budapest ; New York : Central European University Press, 2017  |z 9789633861165  |w (DLC) 2016008438  |w (OCoLC)946610347 
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