|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_ocn948669381 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
160502t20172017hu ob 001 0 eng |
010 |
|
|
|a 2016017690
|
040 |
|
|
|a DLC
|b eng
|e rda
|e pn
|c DLC
|d OCLCQ
|d YDX
|d JSTOR
|d N$T
|d IOG
|d D6H
|d OCLCF
|d VTS
|d WAU
|d CSAIL
|d UBY
|d L2U
|d INT
|d OCLCA
|d OCLCQ
|d OCLCO
|d EBLCP
|d MERUC
|d STF
|d OCLCQ
|d MERER
|d OSU
|d OCLCO
|d OCL
|d OCLCQ
|d OCLCO
|d MM9
|d OCLCO
|d OCLCQ
|d LUU
|d OCLCQ
|d YDX
|d OCLCQ
|d INARC
|d OCLCO
|
019 |
|
|
|a 989037623
|a 990415937
|a 1030295508
|
020 |
|
|
|a 9789633861189
|q electronic book
|
020 |
|
|
|a 9633861187
|q electronic book
|
020 |
|
|
|z 9789633861165
|q hardcover
|
020 |
|
|
|z 9633861160
|q hardcover
|
029 |
1 |
|
|a DEBSZ
|b 493174184
|
035 |
|
|
|a (OCoLC)948669381
|z (OCoLC)989037623
|z (OCoLC)990415937
|z (OCoLC)1030295508
|
037 |
|
|
|a 22573/ctt1ppmd63
|b JSTOR
|
042 |
|
|
|a pcc
|
043 |
|
|
|a ee-----
|
050 |
1 |
0 |
|a PN849.E9
|b O73 2017
|
072 |
|
7 |
|a PER011020
|2 bisacsh
|
072 |
|
7 |
|a POL005000
|2 bisacsh
|
072 |
|
7 |
|a SOC041000
|2 bisacsh
|
082 |
0 |
0 |
|a 809.2/99498
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Orlich, Ileana Alexandra,
|e author.
|
245 |
1 |
0 |
|a Subversive stages :
|b theater in pre- and post-communist Hungary, Romania, and Bulgaria /
|c Ileana Alexandra Orlich.
|
264 |
|
1 |
|a Budapest ;
|a New York :
|b Central European University Press, an imprint of the Central European University Limited Liability Company,
|c 2017.
|
264 |
|
4 |
|c ©2017
|
300 |
|
|
|a 1 online resource (xx, 217 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
520 |
|
|
|a Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Plays by Romanian, Hungarian and Bulgarian dramatists are examined, who are "retrofitting" the past by adapting the political crimes and horrifying tactics of totalitarianism to the classical theatre (with Shakespeare a favorite) to reveal the region's traumatic history. By the sustained analysis of the aesthet
|
504 |
|
|
|a Includes bibliographical references and index
|
505 |
0 |
|
|a The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc
|
588 |
|
|
|a Description based on online resource; title from digital title page (viewed on August 10, 2022).
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Adaptations
|x History and criticism.
|
600 |
1 |
7 |
|a Shakespeare, William,
|d 1564-1616
|2 fast
|
650 |
|
0 |
|a East European drama
|y 20th century
|x History and criticism.
|
650 |
|
0 |
|a Russian drama
|x Adaptations
|x History and criticism.
|
650 |
|
0 |
|a French drama
|x Adaptations
|x History and criticism.
|
650 |
|
0 |
|a English drama
|x Adaptations
|x History and criticism.
|
650 |
|
0 |
|a Communism and literature
|z Europe, Eastern.
|
650 |
|
6 |
|a Théâtre est-européen
|y 20e siècle
|x Histoire et critique.
|
650 |
|
6 |
|a Communisme et littérature
|z Europe de l'Est.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Theater
|x History & Criticism.
|2 bisacsh
|
650 |
|
7 |
|a Communism and literature
|2 fast
|
650 |
|
7 |
|a East European drama
|2 fast
|
650 |
|
7 |
|a English drama
|x Adaptations
|2 fast
|
650 |
|
7 |
|a Literature
|x Adaptations
|2 fast
|
651 |
|
7 |
|a Eastern Europe
|2 fast
|
648 |
|
7 |
|a 1900-1999
|2 fast
|
655 |
|
0 |
|a Electronic books.
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Orlich, Ileana Alexandra.
|t Subversive stages.
|d Budapest ; New York : Central European University Press, 2017
|z 9789633861165
|w (DLC) 2016008438
|w (OCoLC)946610347
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7829/j.ctt1pq33zt
|z Texto completo
|
938 |
|
|
|a Internet Archive
|b INAR
|n subversivestages0000orli
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL4875993
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 1533573
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 14412609
|
994 |
|
|
|a 92
|b IZTAP
|