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|a Divided lenses :
|b screen memories of war in East Asia /
|c edited by Michael Berry and Chiho Sawada.
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|a Honolulu :
|b University of Hawai'i Press,
|c [2016]
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|c ©2016
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|a 1 online resource (viii, 331 pages) :
|b illustrations
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|a text
|b txt
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|a online resource
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|a Includes bibliographical references (pages 291-305), filmography (pages 281-290) and index.
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|a War, history, and remembrance in Chinese cinema / Yingjin Zhang -- Of female spies and national heroes : a brief history of anti-Japanese films in Taiwan from the 1950s to the 1970s / Wenchi Lin -- The "division blockbuster" in South Korea: the evolution of cinematic representations of war and division / Hyangjin Lee -- Under the flag of the rising sun: imagining and reimagining the Pacific war in the Japanese cinema / David Desser -- Japanese manga and anime on the Asia-Pacific war experience / Kyu Hyun Kim -- Continuity and change in Hollywood's representations of American-Asian relations in war and peace / Robert Brent Toplin -- Oscillating histories : representations of comfort women from Bamboo House of Dolls to Imperial Comfort Women / Lily Wong -- Shooting the enemy : photographic attachment in The Children of Huang Shi and Scarlet Rose / Michael Berry -- War and nationalism in recent Japanese cinema : Yamato, trauma, and forgetting the postwar / Aaron Gerow -- The promise and limits of "pop culture diplomacy" in East Asia : contexts-texts-reception / Chiho Sawada -- History and its alternatives : war games as social form / Eric Hayot.
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|a Online resource; title from digital title page (viewed on March 8, 2018).
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|a This volume explores how East Asia's tumultuous years between 1931 and 1953 have been recreated and renegotiated in cinema. This period saw traumatic conflicts, such as the Sino-Japanese War, the Pacific War and the Korean War, as well as pivotal events, including the Rape of Nanjing, Pearl Harbor, the Battle of Iwo Jima and the bombings of Hiroshima and Nagasaki, all of which left a lasting imprint on East Asia and the world. By bringing together a variety of specialists in the cinemas of the region and offering divergent yet complementary perspectives, this title examines how the legacies of war have been reimagined through the lens of film.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a World War, 1939-1945
|x Motion pictures and the war.
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|a Motion pictures
|z East Asia
|x History
|y 20th century.
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|a Motion pictures
|x Political aspects
|z East Asia
|x History
|y 20th century.
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|a Guerre mondiale, 1939-1945
|x Cinéma et guerre.
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a HISTORY
|z Asia
|x General.
|2 bisacsh
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|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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|a Motion pictures
|x Political aspects.
|2 fast
|0 (OCoLC)fst01027353
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|a War and motion pictures.
|2 fast
|0 (OCoLC)fst01919878
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|a East Asia.
|2 fast
|0 (OCoLC)fst01243628
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|a World War
|d (1939-1945)
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|0 (OCoLC)fst01180924
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|a 1900-1999
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Berry, Michael,
|d 1974-
|e editor.
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|a Sawada, Chiho,
|e editor.
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|i Print version:
|t Divided lenses.
|d Honolulu : University of Hawai'i Press, [2016]
|z 9780824851514
|w (DLC) 2015025353
|w (OCoLC)914296285
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvvn4cn
|z Texto completo
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|a Oxford University Press USA
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