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Fado and the urban poor in portuguese cinema of the 1930s and 1940s /
Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era to understand how directors used the national song to promote the values of the young Regime regarding the poor inha...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Woodbridge :
Tamesis,
2016.
|
| Colección: | Colección Támesis. Monografías ;
356. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Colvin, Michael, |d 1970- |e author. | |
| 245 | 1 | 0 | |a Fado and the urban poor in portuguese cinema of the 1930s and 1940s / |c Michael Colvin. |
| 264 | 1 | |a Woodbridge : |b Tamesis, |c 2016. | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (158 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Colección Támesis. Serie A, Monografías ; |v 356 | |
| 520 | 8 | |a Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era to understand how directors used the national song to promote the values of the young Regime regarding the poor inhabitants of Lisbon's popular neighborhoods. He consides the aesthetic, technological, and social advances that accompany the progress of the Estado Novo---Futurism; the development of sound film; the inception of national radio broadcast; access to the automobile; and urban renewal---within a historical context that considers Portugal's global profile at the time of António de Oliveira Salazar's rise to power and the inauguration of António Ferro's Secretariado da Propaganda Nacional (Ministry of National Propaganda); Portugal's role as a secret ally of the Falange during the Spanish Civil War; Lisbon's role as a neutral refuge during World War II; and the Portuguese Colonial Empire as an anachronism in the post-World War II years. Colvin argues that Portuguese directors have exploited the growing popularity of the Fado and Lisbon's fadistas to dissuade citizens from alien values that promote individual ambitions and the notion of an easy life of poverty in the Capital. As the public image of the Fado evolves, the fadista's role in film becomes more prominent and eventually, the fadista is the protagonist and the Fado, the principal concern of national film. The author exposes the irony that as the social profile of the Lisbon fadista improves with the international fame of singer Amália Rodrigues, Portuguese film perpetuates and validates the outdated characterization of the fadista as a social pariah that Leito de Barros had proposed in the first Portuguese talkie, A Severa (1931). Michael Colvin is Associate Professor of Hispanic Studies at Marymount Manhattan College. | |
| 504 | |a Includes bibliographical references, filmography, and index. | ||
| 505 | 0 | |a Introduction: Thefadistain Portuguese Film -- 1. Images of Defeat: Early Fado Films and the Estado Novo's Notion of Progress -- 2. The Musical War Against Lisbon: Aldeia da Roupa Branca's Rural Family Values in Conflict with an Easy fadista Life in the Capital -- 3. A Return to marialvismo: O Costa do Castelo and the Comedies of the 1940 -- 4. Lisbon (Fado) versus Coimbra (Fado): New Severas, the Colonial Enterprise, and Class Conflict in Capas Negras -- 5. Fado, História d'uma Cantadeira: Construction and Deconstruction of the fado novo. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Motion pictures |z Portugal |x History |y 20th century. | |
| 650 | 0 | |a Fados |z Portugal |x History and criticism. | |
| 650 | 6 | |a Cinéma |z Portugal |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Fados |z Portugal |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Fados |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Portugal |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Colvin, Michael, 1970- |t Fado and the urban poor in Portuguese cinema of the 1930s and 1940s. |d Woodbridge : Tamesis, 2016 |z 185566299X |w (OCoLC)921217418 |
| 830 | 0 | |a Colección Támesis. |n Serie A, |p Monografías ; |v 356. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7722/j.ctt18gzfd4 |z Texto completo |
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