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JSTOR_ocn947084698 |
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20231005004200.0 |
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150121t20142014enka ob 001 0 eng d |
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|a 2014497766
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|a IDEBK
|b eng
|e rda
|e pn
|c IDEBK
|d OCLCO
|d YDXCP
|d OCLCF
|d OCLCQ
|d P@U
|d OCLCQ
|d IOG
|d INT
|d VT2
|d AU@
|d OCLCQ
|d OCLCO
|d WYU
|d OCL
|d OCLCO
|d OCLCQ
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|a 966883627
|a 1055357868
|a 1066684327
|a 1081295792
|a 1182839591
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|a 0861969219
|q (ebk)
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|a 9780861969210
|q (ebk)
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|z 0861967178
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|z 9780861967179
|q (pbk.)
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|a AU@
|b 000059396958
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|a AU@
|b 000066762638
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|a DKDLA
|b 820120-katalog:999939975505765
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|a (OCoLC)947084698
|z (OCoLC)966883627
|z (OCoLC)1055357868
|z (OCoLC)1066684327
|z (OCoLC)1081295792
|z (OCoLC)1182839591
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|a 915238
|b MIL
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|a e------
|a n-us---
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|a D522.23
|b .C37 2014eb
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|a 791.43/63581
|2 23
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|a UAMI
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|a Castellan, James W.,
|e author.
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|a American cinematographers in the Great War, 1914-1918 /
|c James W. Castellan, Ron van Dopperren, Cooper C. Graham.
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264 |
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1 |
|a Herts, United Kingdom :
|b John Libbey Publishing Ltd,
|c [2014]
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264 |
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|a Bloomington, IN :
|b Distributed in Asia and North America by Indiana University Press,
|c [date of distribution not identified]
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|c Ã2014
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300 |
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|a 1 online resource (vii, 312 pages) :
|b illustrations (some color)
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references (pages 300-302) and index.
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|a Print version record.
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|a At the start of hostilities in World War I, when the United States was still neutral, American newsreel companies and newspapers sent a new kind of journalist, the film correspondent, to Europe to record the Great War. These pioneering cameramen, accustomed to carrying the Kodaks and Graflexes of still photography, had to lug cumbersome equipment into the trenches. Facing dangerous conditions on the front, they also risked summary execution as supposed spies while navigating military red tape, censorship, and the business interests of the film and newspaper companies they represented. Based on extensive research in European and American archives, American Cinematographers in the Great War, 1914-1918 follows the adventures of these cameramen as they managed to document and film the atrocities around them in spite of enormous difficulties.
|c Publisher.
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|a Dedication -- Chapter 1 Over There -- Chapter 2 Over Here -- Chapter 3 Belgium -- Chapter 4 William Randolph Hearst and the War -- Chapter 5 Behind the German Lines -- Chapter 6 Filming the Central Powers' Drive across Russian Poland -- Chapter 7 Cameramen with the Entente -- Chapter 8 Mobilizing Movies: the U.S. Signal Corps and the Committee on Public Information -- Chapter 9 Aftermath -- Colour Plates -- Acknowledgements -- Suggestions for Further Reading -- Index.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a World War, 1914-1918
|x Motion pictures and the war.
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650 |
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|a Cinematographers
|x History.
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650 |
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6 |
|a Directeurs de la photographie
|x Histoire.
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650 |
|
7 |
|a Cinematographers.
|2 fast
|0 (OCoLC)fst00861478
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650 |
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7 |
|a War and motion pictures.
|2 fast
|0 (OCoLC)fst01919878
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647 |
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7 |
|a World War
|d (1914-1918)
|2 fast
|0 (OCoLC)fst01180746
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648 |
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|a 1914-1918
|2 fast
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655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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700 |
1 |
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|a Dopperen, Ron van,
|e author.
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700 |
1 |
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|a Graham, Cooper C.,
|d 1938-
|e author.
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776 |
0 |
8 |
|i Print version:
|z 9780861969210
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856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1bmzn8c
|z Texto completo
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938 |
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis34438317
|
938 |
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|a Project MUSE
|b MUSE
|n muse53906
|
938 |
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|a YBP Library Services
|b YANK
|n 12963958
|
994 |
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|a 92
|b IZTAP
|