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|a EB00777809
|b Recorded Books
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|a PN1993.43.N49
|b N45 2015eb
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|a 026/.791430993
|2 23
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|a UAMI
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|a Kelly, Emma Jean,
|e author.
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|a The adventures of Jonathan Dennis :
|b bicultural film archiving practice in Aotearoa New Zealand /
|c Emma Jean Kelly.
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|a Paperback edition.
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|a New Barnet, United Kingdom :
|b John Libbey Publishing,
|c 2015.
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|c ©2015
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|a 1 online resource (x, 180 pages, 8 unnumbered pages of plates) :
|b illustrations (black and white, and color), portraits
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references (pages 157-170), filmographies, and index.
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|a Print version record.
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|a Acknowledgements; Glossary of terms; Chapter 1: Introduction ; Chapter 2: The practice of the archive; Biculturalism in the archive; Archive as biography of the nation; Chapter 3: Jonathan Spencer Dennis and the early years ; The drive to represent a "national identity"; The New Zealand Film Commission is established; The struggle to establish the Film Archive; The Film Archive is founded; Chapter 4: Biculturalism and the NZFA ; Films of the tāngata whenua ; Ngā Tamatoa: Young Warriors lay down a challenge ; The spiritual element: Ngātaonga -- kaupapa Māori.
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|a Chapter 5: The New Zealand Film Archive become Guardians of the Treasured Images of Light/Ngā Kaitiaki o ngā Taonga WhitiāhuaSpringbok tour protests, the NZFA opens; Te Māori and its implications for biculturalism ; Chapter 6: Narrative of Jonathan Dennis' archiv e; Chapter 7: Beyond cinema, beyond the NZFA; Honouring the ancestors; Cinema for the ears; Oral histories; Narrative co-construction through oral history; Fabula in the narrative; Versions of the story; 1. If I dreamed of anything I dreamed of being a film star ; 2. 24 Frames: The Greatest Love Story Ever Told.
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|a 3. Friendship Is the Harbour of Joy (2004)The intimate public -- silences in the narrative; Representing gay men's lives: Folds in the heteronormative world; Chapter 7: Beyond cinema, beyond the NZFA; Honouring the ancestors; Cinema for the ears; Chapter 8: Concluding discussion: Archive asbiography of the nation? ; Bibliography (Text, Film, Video, Sound) ; Appendix I: James McDonald films catalogue ; Appendix II: Jonathan Dennis' bibliography ; Appendix III: Constitution Kaupapa of the NZFA 1988 ; Appendix IV: List of Interviewees; Index.
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|a Jonathan Dennis (1953'2002), was the creative and talented founding director of the New Zealand Film Archive. As a Pakeha (non-Maorindigenous New Zealander) with a strong sense of social justice, Dennis became a conduit for tension and debate over the preservation and presentation of indigenous and non-indigenous film archival materials from the time the Archive opened in 1981. His work resulted in a film archive and curatorship practice which differed significantly from that of the North American and European archives he originally sought to emulate. He supported a philosophical shift in archival practice by engaging indigenous peoples in developing creative and innovative exhibitions from the 1980s until his death, recognizing that much of the expertise required to work with archival materials rested with the communities outside archival walls. This book presents new interviews gathered by the author, as well as an examination of existing interviews, films and broadcasts about and with Jonathan Dennis, to consider the narrative of a life and work in relation to film archiving.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Dennis, Jonathan.
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|a Film archives
|z New Zealand.
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|a Archives cinématographiques
|z Nouvelle-Zélande.
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|a PERFORMING ARTS
|x Film
|x History & Criticism.
|2 bisacsh
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|a Film archives
|2 fast
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|a New Zealand
|2 fast
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|a New Zealand Film Archive.
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|i Print version:
|z 9780861969128
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1bmzn6b
|z Texto completo
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|a BATCHLOAD
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|a EBL - Ebook Library
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
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|a Project MUSE
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|a Recorded Books, LLC
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