Expressionism in the cinema /
From classical to contemporary narratives, this book redefines the expressionist aesthetic. One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remed...
Clasificación: | Libro Electrónico |
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Otros Autores: | , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Edinburgh :
Edinburgh University Press,
[2016]
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Colección: | Traditions in world cinema.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Part I. Expressionism in German cinema. Expressionist cinema: style and design in film history / Thomas Elsaesser
- Of nerves and men: postwar delusion and Robert Reinert's Nerven / Steve Choe
- Franjo Ledic: a forgotten pioneer of German Expressionism / Daniel Rafaelic
- Expressionist film and gender: Genuine, A Tale of a Vampire (1920) / Mirjam Kappes
- "The secrets of nature and its unifying principles": Nosferatu (1922) and Jakob von Uexkull on Umwelt / Steve Choe
- Raskolnikow (1923): Russian literature as impetus for German Expressionism / John T. Soister.
- Part II. Expressionism in global cinema. The Austrian connection: the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) / Olaf Brill
- "The reawakening of French cinema": expression and innovation in Abel Gance's J'accuse! (1919) / Paul Cuff
- Here among the dead: The Phantom Carriage (1921) and the cinema of the occulted taboo / Robert Guffey
- Drakula halala (1921): the cinema's first Dracula / Gary D. Rhodes
- Le Brasier ardent (1923): Ivan Mosjoukine's clind'il to German Expressionism / Bernard McCarron
- Nietzsche's fingerprints on The Hands of Orlac (1924) / Phillip Sipiora
- "True, nervous": American expressionist cinema and the destabilized male / Robert Singer
- Dos Monjes (1934) and the tortured search for truth / David J. Hogan
- Maya Deren in person in expressionism / Graeme Harper.