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Talkies, road movies and chick flicks : gender, genre and film sound in American cinema /

Offers a detailed and innovative discussion of film sound and gender in mainstream US cinema. The representation of gender in film remains an intensely debated topic, particularly in academic considerations of US mainstream cinema where it is often perceived as perpetuating rigid, binary views of ge...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wilkins, Heidi (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2016]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Wilkins, Heidi,  |e author. 
245 1 0 |a Talkies, road movies and chick flicks :  |b gender, genre and film sound in American cinema /  |c Heidi Wilkins. 
264 1 |a Edinburgh :  |b Edinburgh University Press,  |c [2016] 
264 4 |c ©2016 
300 |a 1 online resource (vi, 207 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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588 0 |a Print version record. 
504 |a Includes bibliographical references. 
520 |a Offers a detailed and innovative discussion of film sound and gender in mainstream US cinema. The representation of gender in film remains an intensely debated topic, particularly in academic considerations of US mainstream cinema where it is often perceived as perpetuating rigid, binary views of gender, and reinforcing patriarchal, dominant notions of masculinity and femininity. While previous scholarly discussion has focused on visual or narrative portrayals of gender, this book considers the ways that film sound - music, voice, sound effects and silence - is used to represent gender. Taking a socio-historical approach, Heidi Wilkins investigates a range of popular US genres including screwball comedy, the road movie and chick flicks to explore the ways that film sound can reinforce traditional assumptions about masculinity and femininity, impart ambivalent meanings to them, or even challenge and subvert the notion of gender itself. Case studies include Mildred Pierce, Aliens and The Deer Hunter. 
505 0 |a Acknowledgments; Introduction; Chapter One: Talking Back: Voice in Screwball Comedy; Chapter Two: All That Jazz: The Diegetic Soundtrack in Melodrama; Chapter Three: The Alienated Male: Silence and the Soundtrack in New Hollywood; Chapter Four: Brothers in Arms: Masculinity and the Vietnam War Movie; Chapter Five: Subversive Sound: Gender, Technology and the Science Fiction Blockbuster; Chapter Six: Girl Talk: The Postmodern Female Voice in Chick Flicks; Conclusion; Bibliography. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
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650 0 |a Film genres. 
650 0 |a Motion pictures  |z United States  |x Sound effects. 
650 0 |a Gender identity in motion pictures. 
650 0 |a Women in motion pictures. 
650 0 |a Road films  |z United States  |x History and criticism. 
650 0 |a Romance films  |z United States  |x History and criticism. 
650 6 |a Genres cinématographiques. 
650 6 |a Cinéma  |z États-Unis  |x Effets sonores. 
650 6 |a Identité de genre au cinéma. 
650 6 |a Femmes au cinéma. 
650 6 |a Road movies  |z États-Unis  |x Histoire et critique. 
650 6 |a Films d'amour  |z États-Unis  |x Histoire et critique. 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 7 |a Film genres  |2 fast 
650 7 |a Gender identity in motion pictures  |2 fast 
650 7 |a Motion pictures  |x Sound effects  |2 fast 
650 7 |a Road films  |2 fast 
650 7 |a Romance films  |2 fast 
650 7 |a Women in motion pictures  |2 fast 
651 7 |a United States  |2 fast 
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650 7 |a Geschlechtsidentität  |g Motiv  |2 gnd 
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650 7 |a Road movie  |2 gnd 
650 7 |a Soundverarbeitung  |2 gnd 
651 7 |a USA  |2 gnd 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Wilkins, Heidi.  |t Talkies, road movies and chick flicks.  |d Edinburgh : Edinburgh University Press, [2016]  |z 9781474406895  |w (OCoLC)944013943 
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