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|a UAMI
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0 |
0 |
|a Film 1900 :
|b technology, perception, culture /
|c edited by Annemone Ligensa and Klaus Kreimeier.
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| 264 |
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1 |
|a New Burnet, England :
|b John Libbey,
|c [2009]
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| 264 |
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2 |
|a Bloomington, IN :
|b Distributed in North America by Indiana University Press
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| 300 |
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|a 1 online resource (vi, 250 pages) :
|b illustrations, maps
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| 336 |
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|a text
|b txt
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|a online resource
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| 490 |
1 |
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|a Current problems in neurology,
|x 0268-6252 ;
|v 9
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| 500 |
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|a "This collection is based on the conference 'New Paradigms of Perception: Changes in Media and Culture around 1900' held at the University of Siegen, Germany, in November 2006"--Page 248
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|a Includes bibliographical references.
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|a Introduction: Triangulating a turn: film 1900 as technology, perception and culture / Annemone Ligensa -- Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser -- Viewing change, changing views: the 'history of vision'-debate / Frank Kessler -- The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer -- Mind the gap: the discovery of physiological time / Henning Schmidgen -- 'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg -- The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / Jörg Schweinitz -- Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis -- The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen -- Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller -- 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars -- Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz -- 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick -- The attraction of motion: modern representation and the image of movement / Tom Gunning -- 'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier -- German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger -- Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel -- 'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa -- Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz.
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|a Print version record.
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| 590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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| 590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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| 590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 650 |
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0 |
|a Motion pictures
|x History
|y 20th century.
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| 650 |
|
6 |
|a Cinéma
|x Histoire
|y 20e siècle.
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| 650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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| 650 |
|
7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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| 650 |
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7 |
|a Film
|2 gnd
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| 650 |
|
7 |
|a Filmtechnik
|2 gnd
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| 650 |
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7 |
|a Stumfilm
|x historia
|y 1900-talet.
|2 sao
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| 650 |
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|a Film
|x historia
|y 1900-talet.
|2 sao
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| 650 |
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|a Pre-cinema.
|2 sfit
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| 650 |
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7 |
|a Stumfilm.
|2 sfit
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| 650 |
0 |
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|a Film.
|2 swd
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| 648 |
|
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|a 1900-1999
|2 fast
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| 655 |
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4 |
|a Aufsatzsammlung.
|
| 655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
| 700 |
1 |
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|a Kreimeier, Klaus,
|e editor.
|
| 700 |
1 |
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|a Ligensa, Annemone,
|e editor.
|
| 776 |
0 |
8 |
|i Print version:
|t Film 1900.
|d New Burnet, England : John Libbey, ©2009
|z 9780861966967
|w (DLC) 2009504284
|w (OCoLC)261177329
|
| 830 |
|
0 |
|a Current problems in neurology ;
|v 9.
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1bmzngg
|z Texto completo
|
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|a Askews and Holts Library Services
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|a ProQuest Ebook Central
|b EBLB
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| 938 |
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| 938 |
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