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Writing Japonisme : aesthetic translation in nineteenth-century French prose /

In her book, Pamela Genova suggests that as critics move in general from a literal to a more metaphoric understanding and presentation of Japonisme, the mutability of the phenomenon is highlighted in a rich and illuminating manner. By exploring the conditions of the creation of these works, accentin...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Genova, Pamela Antonia, 1961- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Evanston, Illinois : Northwestern University Press, 2016.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Writing Japonisme :  |b aesthetic translation in nineteenth-century French prose /  |c Pamela A. Genova. 
264 1 |a Evanston, Illinois :  |b Northwestern University Press,  |c 2016. 
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505 0 |a Preface -- Introduction. Japonisme and the ambivalence of theory -- Prelude. Aesthetic translation : modalities of interdisciplinary and intercultural correspondence -- 1. Edmond de Goncourt : portraits of artists -- 2. Joris-Karl Huysmans : prose painting and the decadent novel -- 3. Émile Zola : writing of and writing with art -- 4. Stéphane Mallarmé : staging Japonisme -- Coda. Japonisme : "a never-ending story"? 
520 |a In her book, Pamela Genova suggests that as critics move in general from a literal to a more metaphoric understanding and presentation of Japonisme, the mutability of the phenomenon is highlighted in a rich and illuminating manner. By exploring the conditions of the creation of these works, accenting the original aims of the artists, the manipulations carried out by art dealers, gallery owners, and boutique managers, as well as the gestures of explanation, interpretation, and judgment offered by the professional and amateur critics, Japonisme takes on an even more versatile nature. Further, a complex web of correspondence germinates among these artists--both French and Japanese--and their many critics. It is in this light that the truly rich character of Japonisme comes forth, since the undesirability, even the impossibility of the attempt to reduce it to a single genre, style, era, or cultural cadre attests to its elusiveness and its Protean nature. Japonisme does not correspond to a single dictionary definition, no matter how subtle or self-aware that definition might be. By situating the dynamics of Japonisme as a response on the part of French culture to the culture of Japan, we gain a keener sense of the multiplicity of modern French sensibility itself, of how the awareness of a nation's language, history, and art forms can be creatively reflected in the images of a culture seemingly radically different from its own. 
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600 1 0 |a Huysmans, J.-K.  |q (Joris-Karl),  |d 1848-1907  |x Criticism and interpretation. 
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600 1 7 |a Zola, Émile  |d 1840-1902  |2 gnd 
650 0 |a Art and literature  |z France  |x History  |y 19th century. 
650 0 |a Japonism. 
650 0 |a French fiction  |y 19th century  |x Japanese influences. 
650 0 |a French fiction  |y 19th century  |x History and criticism. 
650 6 |a Art et littérature  |z France  |x Histoire  |y 19e siècle. 
650 6 |a Roman français  |y 19e siècle  |x Influence japonaise. 
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776 0 8 |i Print version:  |a Genova, Pamela Antonia, 1961-  |t Writing Japonisme.  |d Evanston, Illinois : Northwestern University Press, 2016  |z 9780810132191  |z 0810132192  |w (DLC) 2015035071  |w (OCoLC)908991433 
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