Imitation and Creativity in Japanese Arts : from Kishida Ryūsei to Miyazaki Hayao /
The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construction, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dyna...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
New York :
Columbia University Press,
2016.
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Colección: | Asia perspectives.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- A historical construction. Copycat Japan
- The West and the invention of creation
- The denial, rejection, and sublimation of imitation
- No poaching
- Seen from Japan
- The logic of reflection in Nakai Masakazu
- A new place for imitation. Kishida Ryusei's portraits of Reiko, or, how can ghosts be at work?
- Kurosawa Akira's Ikiru, or, the impossibility of metaphor
- Araki Nobuyoshi's Sentimental journey-winter, or, eternal bones
- Miyazaki Hayao's Spirited away, or, the adventure of the obliques
- Conclusion.