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Extreme cinema : the transgressive rhetoric of today's art film culture /
From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Extreme Cinema draws from interviews with film festival programmers, distributors, critics, and directors to demonstrate...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick, New Jersey :
Rutgers University Press,
[2016]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Frey, Mattias, |e author. | |
| 245 | 1 | 0 | |a Extreme cinema : |b the transgressive rhetoric of today's art film culture / |c Mattias Frey. |
| 264 | 1 | |a New Brunswick, New Jersey : |b Rutgers University Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Transgression and distinction: filmmaker discourses -- The aesthetic embrace and the cynicism criticism: reception discourses -- The rhetoric and role of film festivals -- Discourses and modes of distribution -- The interpretations of regulation -- The added value of international distribution -- Sex, violence, and self-exoticization -- Aesthetic innovation and the real: academic debate over sexually graphic art films -- A discursive approach to hardcore art cinema -- Afterword. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed March 17, 2016). | |
| 520 | |a From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Extreme Cinema draws from interviews with film festival programmers, distributors, critics, and directors to demonstrate how these seemingly transgressive films actually operate within a strict set of codes and conventions, translating global notoriety into success within a competitive marketplace, and perpetuating a system that runs on provocation. | ||
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| 650 | 0 | |a Motion pictures |x Production and direction. | |
| 650 | 0 | |a Art in motion pictures. | |
| 650 | 0 | |a Experimental films. | |
| 650 | 0 | |a Motion picture industry |x Marketing. | |
| 650 | 6 | |a Cinéma |x Production et réalisation. | |
| 650 | 6 | |a Art au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 650 | 7 | |a Art in motion pictures |2 fast | |
| 650 | 7 | |a Experimental films |2 fast | |
| 650 | 7 | |a Motion picture industry |x Marketing |2 fast | |
| 650 | 7 | |a Motion pictures |x Production and direction |2 fast | |
| 650 | 7 | |a Films, cinema. |2 thema | |
| 650 | 7 | |a Media studies. |2 thema | |
| 650 | 7 | |a Violence in society. |2 thema | |
| 650 | 7 | |a Human rights, civil rights. |2 thema | |
| 650 | 7 | |a Film history, theory & criticism. |2 thema | |
| 650 | 7 | |a Performing Arts. |2 ukslc | |
| 776 | 0 | 8 | |i Print version: |a Frey, Mattias. |t Extreme cinema. |d New Brunswick, New Jersey : Rutgers University Press, [2016] |w (DLC) 2015021892 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1b67wtn |z Texto completo |
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