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Erik Satie : a Parisian composer and his world /
Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as 'classical music'. Instead of pursuing the path of a professional com...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Woodbridge :
Boydell Press,
2016.
Woodbridge, Suffolk : 2016. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Potter, Caroline, |e author. | |
| 245 | 1 | 0 | |a Erik Satie : |b a Parisian composer and his world / |c Caroline Potter. |
| 246 | 3 | 0 | |a Parisian composer and his world |
| 264 | 1 | |a Woodbridge : |b Boydell Press, |c 2016. | |
| 264 | 1 | |a Woodbridge, Suffolk : |b Boydell Press, |c 2016. | |
| 300 | |a 1 online resource (xxxiii, 269 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 254-260) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Frontcover; Contents; List of Illustrations; List of Music Examples; Preface; Acknowledgements; Personalia; Chronology and Worklist; 1 Satie in Montmartre: Mechanical Music in the Belle Epoque; 2 Futurism, the New Avant-Garde and Mechanical Music; 3 Satie's Texted Piano Works; 4 Repetition and Furniture Music; Untitled; 5 Science, Society and Politics in Satie's Life; 6 The Provocative Satie and the Dada Connection; 7 Satie's Death and Musical Legacy; Select Bibliography; Index of Names; Index of Works by Satie. | |
| 520 | |a Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as 'classical music'. Instead of pursuing the path of a professional composer, Satie initially earned a living as a caf pianist and moved in bohemian circles which prized satire, popularculture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but isto be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartreand Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work withinthe context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book. CAROLINE POTTER is Reader in Music at Kingston University London. A graduate in both French and Music, she has published widely on French music since Debussy and was Series Advisor to the Philharmonia Orchestra's Paris 2014-15 season. | ||
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| 600 | 1 | 0 | |a Satie, Erik, |d 1866-1925. |
| 600 | 1 | 7 | |a Satie, Erik, |d 1866-1925 |2 fast |
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| 776 | 0 | 8 | |i Print version: |a Potter, Caroline. |t Erik Satie. |d Woodbridge : Boydell press, 2016 |z 9781783270835 |w (OCoLC)939525535 |
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