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|a UAMI
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|a The sea in the British musical imagination /
|c edited by Eric Saylor and Christopher M. Scheer.
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|a Woodbridge, Suffolk, U.K. ;
|a Rochester, N.Y. :
|b Boydell Press,
|c 2015.
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|a 1 online resource (xvii, 288 pages) :
|b illustrations, music
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|a text
|b txt
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|a For centuries, the sea and those who sail upon it have inspired the imaginations of British musicians. Generations of British artists have viewed the ocean as a metaphor for the mutable human condition - by turns calm and reflective, tempestuous and destructive - and have been influenced as much by its physical presence as by its musical potential. But just as geographical perspectives and attitudes on seascapes have evolved over time, so too have cultural assumptions about their meaning and significance. Changes in how Britons have used the sea to travel, communicate, work, play, and go to war have all irresistibly shaped the way that maritime imagery has been conceived, represented, and disseminated in British music. By exploring the sea's significance within the complex world of British music, this book reveals a network of largely unexamined cultural tropes unique to this island nation. The essays are organised around three main themes: the Sea as Landscape, the Sea as Profession, and the Sea as Metaphor, covering an array of topics drawn from the seventeenth century to the twenty-first.0Featuring studies of pieces by the likes of Purcell, Arne, Sullivan, Vaughan Williams, and Davies, as well as examinations of cultural touchstones such as the BBC, the Scottish fishing industry, and the Aldeburgh Festival, 'The Sea in the British Musical Imagination' will be of interest to musicologists as well as scholars in history, British studies, cultural studies, and English literature.
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|a Includes bibliographical references and index.
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|a 'Brittania rule the waves' : maritime music and national identity in eighteenth-century Britain / Alyson McLamore -- Scotland, the 'Celtic North, ' and the sea : issues of identity in Bantock's Hebridean symphony (1915) / Jennifer Oates -- Sea change : a meditation upon Frank Bridge's Lament: to Catherine, age 9, 'Lusitania' 1915 / Byron Adams -- Crosscurrents in the Britten legacy : two visions of Aldeburgh / Christopher M. Scheer -- 'Come away, fellow sailors' : musical characterization of the nautical profession in seventeenth-century England / Amanda Eubanks Winkler -- Jolly Jack Tar : musical caricature and characterization of the British sailor, c. 1875-1925 / James Brooks Kuykendall -- Fishers of men : maritime radio and evangelical hymnody in the Scottish fishing industry, 1950-65 / Frances Wilkins -- Amanuensis of the sea : Peter Maxwell Davies's Symphonies nos. 1 and 2 and the Antarctic symphony / Justin Vickers -- Three journeys. Two paths : locating the lyric and dramatic in Elgar's Sea pictures / Charles Edward McGuire -- Political visions. National identities, and the sea itself : Stanford and Vaughan Williams in 1910 / Eric Saylor -- Bax's 'Sea symphony' / Aidan J. Thomson -- 'Close your eyes and listen to it' : special sound and the sea in BBC radio drama, 1957-59 / Louis Niebur -- Afterword : Channelling the swaying sound of the sea / Jenny Doctor.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Ocean
|x Songs and music.
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|a Musicology.
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|a Mer
|x Chants et musique.
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|a Musicologie.
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|a musicology.
|2 aat
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|a MUSIC
|x Genres & Styles
|x Classical.
|2 bisacsh
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|a MUSIC
|x Reference.
|2 bisacsh
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|a Musicology
|2 fast
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|a Ocean
|2 fast
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|a Songs and music
|2 fast
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|a Saylor, Eric,
|e editor.
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|a Scheer, Christopher M.,
|e editor.
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|i Print version:
|t Sea in the British musical imagination
|z 9781783270620
|w (OCoLC)920542500
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt19x3hmr
|z Texto completo
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