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Saw.
Like all game changers within the horror genre, SAW was an independent success, a low-budget champion that flourished without the patronage of a big studio. Not bad for the most successful horror franchise ever, which has spawned subsidiary media and masses of merchandise, including a theme park rol...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leighton Buzzard : London :
Auteur Publishing Central Books Limited [distributor]
July 2012
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Saw. |
| 260 | |a Leighton Buzzard : |b Auteur Publishing |c July 2012 |a London : |b Central Books Limited [distributor] | ||
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| 520 | 8 | |a Like all game changers within the horror genre, SAW was an independent success, a low-budget champion that flourished without the patronage of a big studio. Not bad for the most successful horror franchise ever, which has spawned subsidiary media and masses of merchandise, including a theme park rollercoaster ride. What is it about SAW that attracted such a following? In his contribution to the "Devil's Advocates" series, Ben Poole considers the SAW phenomenon from all aspects of film and media studies -- from its generic pedigree in both literature and film, to the visceral audience pleasures ("what would I do?") of the text, to the contrasting representations of men and women and the film's implicit criticism of masculinity. | |
| 505 | 0 | |a Production -- The horror film and the studio system -- Textual analysis -- Narrative in Saw -- Representation -- Themes and issues arising -- Audiences -- Saw and sequels -- Critical reception -- Game over? | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 630 | 0 | 0 | |a Saw (Motion picture) |
| 630 | 0 | 7 | |a Saw (Motion picture) |2 fast |0 (OCoLC)fst02057730 |
| 650 | 0 | |a Horror films |z United States |x History and criticism. | |
| 650 | 6 | |a Films d'horreur |z États-Unis |x Histoire et critique. | |
| 650 | 7 | |a Horror films. |2 fast |0 (OCoLC)fst00960370 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Poole, Ben. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv138420s |z Texto completo |
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