Documenting cityscapes : urban change in contemporary non-fiction film /

While film studies has traditionally treated the presence of the city in film as an urban text operating inside of a cinematic one, this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been d...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Álvarez, Iván Villarmea
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Columbia University Press, 2015.
Colección:Nonfictions.
Temas:
Cities and towns in motion pictures.
Villes au cinéma.
PERFORMING ARTS > Reference.
Cities and towns in motion pictures
Acceso en línea:Texto completo

MARC

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100 1 |a Álvarez, Iván Villarmea. 
245 1 0 |a Documenting cityscapes :  |b urban change in contemporary non-fiction film /  |c Iván Villarmea Álvarez. 
264 1 |a New York, NY :  |b Columbia University Press,  |c 2015. 
300 |a 1 online resource (240 pages) :  |b illustrations 
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490 1 |a Nonfictions. 
504 |a Includes bibliographical references and index. 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t Acknowledgements --  |t Introduction: Place, Images and Meanings --  |t 1. On City and Cinema --  |t 2. Documentary Film at the Turn of the Century --  |t Landscaping --  |t Introduction --  |t 3. Observational Landscaping --  |t 4. Psychogeographical Landscaping --  |t 5. Autobiographical Landscaping --  |t Urban Self-Portraits --  |t Introduction --  |t 6. Self-Portrait as Socio-Political Documentary --  |t 7. Self-Portrait as Essay Film --  |t 8. Self-Portrait as Self-Fiction --  |t Metafilmic Strategies --  |t Introduction --  |t 9. Inside Hollywood Film --  |t Conclusion: Cinema as Agent of Urban Change --  |t Appendix --  |t Bibliography --  |t Index. 
520 |a While film studies has traditionally treated the presence of the city in film as an urban text operating inside of a cinematic one, this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by nonfiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits, and metafilmic strategies. Through the formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to the institutions and corporations responsible for recent major transformations. Documenting Cityscapes therefore reveals the extent to which cinema has become an agent of urban change, in which certain films not only challenge the most controversial policies of late capitalism but also are able to produce spatiality themselves. 
545 |a Iván Villarmea Álvarez is a film critic and researcher who specializes in the representation of the city in film. He coedits the online film journal A Cuarta Parede and is the coeditor of the volume Jugar con la Memoria. El Cine Portugués en el Siglo XXI. 
546 |a In English. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
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650 0 |a Cities and towns in motion pictures. 
650 6 |a Villes au cinéma. 
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650 7 |a Cities and towns in motion pictures  |2 fast 
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