Performance and personhood in Caribbean literature : from Alexis to the digital age /

Mostrar otras versiones (1)

Focusing on the literary representation of performance practices in anglophone, francophone, and hispanophone Caribbean literature, Jeannine Murray-Román shows how a shared regional aesthetic emerges from the descriptions of music, dance, and oral storytelling events. Because the historical circums...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Murray-Román, Jeannine, 1977- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Charlottesville ; London : University of Virginia Press, [2016]
Colección:New World studies.
Temas:
1900-1999
Caribbean literature > 20th century > History and criticism.
Performance in literature.
Self-perception in literature.
Literature and society > Caribbean Area > History > 20th century.
Littérature antillaise > 20e siècle > Histoire et critique.
Rendement au travail dans la littérature.
Perception de soi dans la littérature.
Littérature et société > Caraïbes (Région) > Histoire > 20e siècle.
BIOGRAPHY & AUTOBIOGRAPHY > Literary.
Caribbean literature.
Literature and society.
Caribbean Area.
Criticism, interpretation, etc.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Performance and the expansion of personhood in Marissa Chibas's Daughter of a Cuban revolutionary
  • Creole's thinking body: Patrick Chamoiseau and Marlon James
  • From spectator to participant: audience formation in Guillermo Cabrera Infante's Tres tristes tigres, Oonya Kempadoo's Tide running, and Ernest Pépin's L'envers du decor
  • Staceyann Chin and Zoe Valdes: sexilic politics in the blogosphere
  • Dansez et revivez!": reviving personhood in Rosario Ferre's "Maquinolandera" and Jacques Stephen Alexis's Les arbres musiciens
  • Coda.

Ejemplares similares