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Performance and personhood in Caribbean literature : from Alexis to the digital age /

Focusing on the literary representation of performance practices in anglophone, francophone, and hispanophone Caribbean literature, Jeannine Murray-Román shows how a shared regional aesthetic emerges from the descriptions of music, dance, and oral storytelling events. Because the historical circums...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Murray-Román, Jeannine, 1977- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Charlottesville ; London : University of Virginia Press, [2016]
Colección:New World studies.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Murray-Román, Jeannine,  |d 1977-  |e author. 
245 1 0 |a Performance and personhood in Caribbean literature :  |b from Alexis to the digital age /  |c Jeannine Murray-Román. 
264 1 |a Charlottesville ;  |a London :  |b University of Virginia Press,  |c [2016] 
264 4 |c ©2016 
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490 1 |a New world studies 
504 |a Includes bibliographical references and index. 
505 0 |a Performance and the expansion of personhood in Marissa Chibas's Daughter of a Cuban revolutionary -- Creole's thinking body: Patrick Chamoiseau and Marlon James -- From spectator to participant: audience formation in Guillermo Cabrera Infante's Tres tristes tigres, Oonya Kempadoo's Tide running, and Ernest Pépin's L'envers du decor -- Staceyann Chin and Zoe Valdes: sexilic politics in the blogosphere -- Dansez et revivez!": reviving personhood in Rosario Ferre's "Maquinolandera" and Jacques Stephen Alexis's Les arbres musiciens -- Coda. 
588 0 |a Print version record. 
520 |a Focusing on the literary representation of performance practices in anglophone, francophone, and hispanophone Caribbean literature, Jeannine Murray-Román shows how a shared regional aesthetic emerges from the descriptions of music, dance, and oral storytelling events. Because the historical circumstances that led to the development of performance traditions supersede the geopolitical and linguistic divisions of colonialism, the literary uses of these traditions resonate across the linguistic boundaries of the region. The author thus identifies the aesthetic that emerges from the act of writi. 
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650 0 |a Caribbean literature  |y 20th century  |x History and criticism. 
650 0 |a Performance in literature. 
650 0 |a Self-perception in literature. 
650 0 |a Literature and society  |z Caribbean Area  |x History  |y 20th century. 
650 6 |a Littérature antillaise  |y 20e siècle  |x Histoire et critique. 
650 6 |a Rendement au travail dans la littérature. 
650 6 |a Perception de soi dans la littérature. 
650 6 |a Littérature et société  |z Caraïbes (Région)  |x Histoire  |y 20e siècle. 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 7 |a Caribbean literature.  |2 fast  |0 (OCoLC)fst00847469 
650 7 |a Literature and society.  |2 fast  |0 (OCoLC)fst01000096 
650 7 |a Performance in literature.  |2 fast  |0 (OCoLC)fst01057873 
650 7 |a Self-perception in literature.  |2 fast  |0 (OCoLC)fst01111836 
651 7 |a Caribbean Area.  |2 fast  |0 (OCoLC)fst01244080 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Murray-Román, Jeannine, 1977-  |t Performance and personhood in Caribbean literature.  |d Charlottesville ; London : University of Virginia Press, [2016]  |z 9780813938479  |w (DLC) 2015022971  |w (OCoLC)918616218 
830 0 |a New World studies. 
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