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Suddenly, the sight of war : violence and nationalism in Hebrew poetry in the 1940s /

Suddenly, the Sight of War is a genealogy of Hebrew poetry written in pre-state Israel between the beginning of World War II and the War of Independence in 1948. In it, renowned literary scholar Hannan Hever sheds light on how the views and poetic practices of poets changed as they became aware of t...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hever, Hannan (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Hebrew
Publicado: Stanford, California : Stanford University Press, [2016]
Colección:Stanford studies in Jewish history and culture.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hever, Hannan,  |e author. 
240 1 0 |a Pitʼom marʼeh ha-milḥamah.  |l English 
245 1 0 |a Suddenly, the sight of war :  |b violence and nationalism in Hebrew poetry in the 1940s /  |c Hannan Hever ; translated by Lisa Katz. 
264 1 |a Stanford, California :  |b Stanford University Press,  |c [2016] 
264 4 |c ©2016 
300 |a 1 online resource (vii, 271 pages) 
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500 |a "Originally published in Hebrew in 2000 under the title Pitʼom marʼeh ha-milḥamah." 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Acknowledgments; Introduction; Part I: Hebrew Symbolist Poetry During World War II ; 1. "The Real Has Become a Symbol" ; 2. The Dispute over War Poetry ; 3. Criticism of Nationalist Violence ; 4. Reading Nationalist Poetry Critically ; 5. Nationalism Anthologized ; 6. The Living-Dead in Joy of the Poor ; 7. Revenge on a Nationalist Scale ; 8. Leah Goldberg Writes War Poetry ; 9. The Duality of the Symbolist Woman Poet ; 10. The Living-Dead and the Female Body; 11. Amir Gilboa: Boy Poet ; Part II: Historical Analogy and National Allegory During the Holocaust. 
505 8 |a 12. A Surprising Moral Judgment 13. The Uncommon Stance of a Major Poet; 14. Critical Reception ; 15. A Postnationalist Reading; 16. A Symbol, Not an Allegory; 17. Allegory in The Poems of the Plagues of Egypt Versus Symbolism in Joy of the Poor; 18. Allegory as a Nonhegemonic Stance; 19. Alterman and the Memory of the Holocaust; 20. The Father-Son Strategy ; 21. Blind Vengeance; 22. Breaking the Cycle of Crime and Punishment; 23. History of the Defeated; 24. A Summer Quarrel; 25. Ghetto Poems in the Streets of Tel-Aviv; Part III: Symbols of Death in the National War for Independence. 
505 8 |a 26. Return of the Hegemonic Symbol 27. The Living-Dead in the Independence War; 28. Amir Gilboa and the Subversion of the Symbol; 29. Gilboa Versus the Metaphor of the Living-Dead; 30. Poets as Reporters; 31. Sorrow Petrified into Symbols; 32. Hegemonic Strategies; 33. From Reportage to Lyric; 34. Women Write of Fallen Soldiers as Flesh and Blood; 35. In the Service of National Subjectivity; 36. Women and the Metaphor of the Living-Dead; 37. Criticism of the Living-Dead Metaphor; 38. The Authority and Power of Women ; 39. Popular Versus Canonical Mourning; 40. The Secrets and Power of Women. 
546 |a English. 
520 |a Suddenly, the Sight of War is a genealogy of Hebrew poetry written in pre-state Israel between the beginning of World War II and the War of Independence in 1948. In it, renowned literary scholar Hannan Hever sheds light on how the views and poetic practices of poets changed as they became aware of the extreme violence in Europe toward the Jews. In dealing with the difficult topics of the Shoah, Natan Alterman's 1944 publication of The Poems of the Ten Plagues proved pivotal. His work inspired the next generation of poets like Haim Guri, as well as detractors like Amir Gilboa. Suddenly, the Sight of War also explores the relations between the poetry of the struggle for national independence and the genre of war-reportage, uniquely prevalent at the time. Hever concludes his genealogy with a focus on the feminine reaction to the War of Independence showing how women writers such as Lea Goldberg and Yocheved Bat-Miryam subverted war poetry at the end of the 1940s. Through the work of these remarkable poets, we learn how a culture transcended seemingly unspeakable violence. 
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650 0 |a Israeli poetry  |y 20th century  |x History and criticism. 
650 0 |a Violence in literature. 
650 0 |a Nationalism in literature. 
650 0 |a Symbolism in literature. 
650 0 |a War in literature. 
650 6 |a Poésie israélienne  |y 20e siècle  |x Histoire et critique. 
650 6 |a Violence dans la littérature. 
650 6 |a Nationalisme dans la littérature. 
650 6 |a Symbolisme dans la littérature. 
650 6 |a Guerre dans la littérature. 
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650 7 |a Violence in literature.  |2 fast  |0 (OCoLC)fst01167282 
650 7 |a War in literature.  |2 fast  |0 (OCoLC)fst01170505 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Hever, Hannan.  |s Pitʼom marʼeh ha-milḥamah. English.  |t Suddenly, the sight of war  |z 9780804784108  |w (DLC) 2015037623  |w (OCoLC)908990266 
830 0 |a Stanford studies in Jewish history and culture. 
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