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The culture of photography in public space /
Photography as an art has become complex terrain upon which anxieties about public space have been played out. Yet the photographic threat is not limited to the image alone. A range of social, technological, and political issues converge in these rising anxieties and affect the practice, circulation...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK :
Intellect Books,
2015.
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| Colección: | Critical photography series.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The culture of photography in public space / |c edited by Anne Marsh, Melissa Miles and Daniel Palmer. |
| 264 | 1 | |a Bristol, UK : |b Intellect Books, |c 2015. | |
| 264 | 4 | |c Ã2015 | |
| 300 | |a 1 online resource (191 pages) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Critical photography series | |
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half-title; Copyright; Title; Contents; Foreword; Acknowledgements; Introduction; REFERENCES; NOTES; Chapter 1: Standing on Shifting Ground: Privacy and Photography in Public; INTRODUCTION; THE "RIGHT" TO PRIVACY AND PHOTOGRAPHY; DEFINING PRIVACY; PRIVACY, THE INDIVIDUAL AND PHOTOGRAPHY; THE CAMERA, THE SELF AND PRIVACY; PHOTOGRAPHY AND ITS PUBLICS; CONCLUSION; REFERENCES; NOTES; Chapter 2: Tilt; Chapter 3: "No Credible Photographic Interest": Photography Restrictions and Surveillance in a Time of Terror; PHOTOGRAPHY AND ANXIETY: SURVEILLANCE AND CONTROL. | |
| 505 | 8 | |a NO CREDIBLE PHOTOGRAPHIC INTEREST: IF YOU SEE SOMETHING, SAY SOMETHINGPHOTOGRAPHY RESTRICTIONS AND THE STATUS OF THE CONTEMPORARY EXCEPTION; ARTISTIC AND POLITICAL RESPONSES; CONCLUSION; REFERENCES; NOTES; Chapter 4: Street View/Interface; Chapter 5: Bill Henson and the Polemics of the Nude Child in Photography; ART CONTROVERSIES ABOUT CHILDREN AND SEXUALITY; THE BILL HENSON CONTROVERSY; THE CASE AGAINST; THE CASE FOR; CHILDREN'S RIGHTS: PARTICIPATION VS. PROTECTION; PUBLIC SPACE: THE INVITATION AND THE INTERNET; GENDER, AUTHORSHIP AND PORNOGRAPHY. | |
| 505 | 8 | |a BEYOND BINARIES: GENDER AND ART BEYOND HENSONREFERENCES; NOTES; Chapter 6: The Sleepers and Trafalgar Square; Chapter 7: Criminalizing "Camera Fiends": Photography Restrictions in the Age of Digital Reproduction; "CAMERA FIENDS": PHOTOGRAPHY AND ANXIETY IN THE 1800s; ON "THINGS THAT NEED TO BE HIDDEN": THE PUBLIC AND THE PRIVATE; PHOTOGRAPHIC INJURIES; REFERENCES; NOTES; Chapter 8: In the Event of Amnesia the City will Recall; Chapter 9: The Face in Digital Space; FACIAL HISTORY; FACIAL VELOCITY; FACIAL VECTORIZATION; FACIAL PRIVATIZATION; REFERENCES; NOTES. | |
| 505 | 8 | |a Chapter 10: From Sixteen Google Street ViewsChapter 11: Google Street View and Photography in Public Space; GOOGLE STREET VIEW; PHOTOGRAPHIC RESPONSES TO STREET VIEW; JON RAFMAN: WITNESSING ON STREET VIEW; CONCLUSIONS; REFERENCES; NOTES; Further Reading; Contributors; BackCover. | |
| 520 | |a Photography as an art has become complex terrain upon which anxieties about public space have been played out. Yet the photographic threat is not limited to the image alone. A range of social, technological, and political issues converge in these rising anxieties and affect the practice, circulation, and consumption of contemporary public photography today. The culture of photography in public space collects essays and photographs that offer a new response to these restrictions and to the anxieties that give rise to them. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Photography |x Social aspects. | |
| 650 | 0 | |a Photography |x Political aspects. | |
| 650 | 6 | |a Photographie |x Aspect social. | |
| 650 | 6 | |a Photographie |x Aspect politique. | |
| 650 | 7 | |a COMPUTERS |x Digital Media |x Photography. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Reference. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Imaging Systems. |2 bisacsh | |
| 650 | 7 | |a Photography |x Political aspects. |2 fast |0 (OCoLC)fst01061785 | |
| 650 | 7 | |a Photography |x Social aspects. |2 fast |0 (OCoLC)fst01061826 | |
| 650 | 7 | |a Fotografi |x sociala aspekter. |2 sao | |
| 650 | 7 | |a Fotografi |x politiska aspekter. |2 sao | |
| 650 | 7 | |a PHOTOGRAPHY / Criticism |2 bisacsh | |
| 700 | 1 | |a Marsh, Anne, |d 1956- |e editor. | |
| 700 | 1 | |a Miles, Melissa, |e editor. | |
| 700 | 1 | |a Palmer, Daniel |c (Professor of art), |e editor. | |
| 776 | 0 | 8 | |i Print version: |z 9781783204601 |
| 830 | 0 | |a Critical photography series. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvmvj |z Texto completo |
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