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Gay guerrilla : Julius Eastman and his music /

"Composer-performer Julius Eastman was an enigma, both comfortable and uncomfortable in the many worlds he inhabited: black, white, gay, straight, classical music, disco, academia, and downtown New York. His music, insistent and straightforward, resists labels and seethes with a tension that re...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Levine Packer, Renée, 1940- (Editor ), Leach, Mary Jane (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, NY : University of Rochester Press, 2015.
Colección:Eastman studies in music ; v. 129.
Temas:
Acceso en línea:Texto completo

MARC

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264 1 |a Rochester, NY :  |b University of Rochester Press,  |c 2015. 
264 4 |c ©2015 
300 |a 1 online resource (xxii, 244 pages, 18 nunumbered pages of plates) :  |b illustrations, music 
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490 1 |a Eastman studies in music,  |x 1071-9989 ;  |v v. 129 
504 |a Includes bibliographical references and index. 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed December 15, 2015). 
505 0 |a Foreword / George E. Lewis; Acknowledgments; Introduction: Julius Eastman and His Music; 1. Julius Eastman, A Biography; 2. Unjust Malaise; 3. The Julius Eastman Parables; 4. Julius Eastman and the Conception of "Organic Music"; 5. Julius Eastman Singing; 6. An Accidental Musicologist Passes the Torch; 7. A Flexible Musical Identity: Julius Eastman in New York City, 1976-90; Photographs; 8. Evil Nigger: A Piece for Multiple Instruments of the Same Type by Julius Eastman (1979), with Performance Instructions by Joseph Kubera; 9. A Postminimalist Analysis of Julius Eastman's Crazy Nigger; 10. "That Piece Does Not Exist without Julius": Still Staying on Stay On It;11. Connecting the Dots; 12 Gay Guerrilla: A Minimalist Choralphantasie; Appendix: Julius Eastman Compositions; Chronology; Selected Bibliography; List of Contributors; Index. 
520 |a "Composer-performer Julius Eastman was an enigma, both comfortable and uncomfortable in the many worlds he inhabited: black, white, gay, straight, classical music, disco, academia, and downtown New York. His music, insistent and straightforward, resists labels and seethes with a tension that resonates with musicians, scholars, and audiences today. Eastman's provocative titles, including Gay Guerrilla, Evil Nigger, Crazy Nigger, and others assault us with his obsessions. Eastman tested limits with his political aggressiveness, as recounted in legendary scandals he unleashed, for example, his June 1975 performance of John Cage's Song Books, which featured homoerotic interjections, and the uproar over his titles at Northwestern University. These episodes are examples of Eastman's persistence in pushing the limits of the acceptable in the highly charged arenas of sexual and civil rights. The essays in Gay Guerrilla offer context on Eastman's life history and the era's social landscape, commentaries on the composer's personality and talents, and analyses of his music. The book presents an authentic portrait of a notable American artist that is compelling reading for the general reader as well as scholars interested in twentieth-century American music, American Studies, gay rights, and civil rights. Renee Levine-Packer's book This Life of Sounds: Evenings for New Music in Buffalo received an ASCAP Deems Taylor Award for excellence. Mary Jane Leach is a composer and freelance writer, currently writing music and theatre criticism for the Albany Times-Union."--  |c Publisher's description 
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