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00000cam a2200000Ii 4500 |
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JSTOR_ocn931539008 |
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OCoLC |
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20231005004200.0 |
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m o d |
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cr cnu---unuuu |
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151207s1988 txu o s001 0 eng d |
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|a N$T
|b eng
|e rda
|e pn
|c N$T
|d N$T
|d YDXCP
|d N$T
|d OCLCF
|d OCLCO
|d JSTOR
|d OCLCO
|d OCLCQ
|d OCLCO
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|a 9780292791824
|q electronic bk.
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|a 0292791828
|q electronic bk.
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|a 9780292785151
|q electronic bk.
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|a 0292785151
|q electronic bk.
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|a 9780292759589
|q (electronic bk.)
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|a 0292759584
|q (electronic bk.)
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|z 9780292785144
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|z 0292785143
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| 029 |
1 |
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|a AU@
|b 000057012382
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| 035 |
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|a (OCoLC)931539008
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|a 22573/ctv2dmb5g2
|b JSTOR
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4 |
|a PN1996
|b .B715 1988eb
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|
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|a LAN
|x 005000
|2 bisacsh
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|a LAN
|x 015000
|2 bisacsh
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|a REF
|x 026000
|2 bisacsh
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|a PER
|x 004050
|2 bisacsh
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| 082 |
0 |
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|a 808.2/2
|2 23
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| 049 |
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|a UAMI
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| 100 |
1 |
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|a Brady, Ben,
|e author.
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| 245 |
1 |
4 |
|a The understructure of writing for film & television /
|c Ben Brady & Lance Lee.
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| 250 |
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|a First edition.
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| 264 |
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1 |
|a Austin :
|b University of Texas Press,
|c 1988.
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| 300 |
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|a 1 online resource (273 pages)
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 500 |
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|a Includes index.
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| 505 |
0 |
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|a pt. 1: Getting on your feet -- Your dramatic heritage -- What is a dramatic conflict? -- What is a scene? -- Camera language and format -- pt. 2: Developing character and conflict -- Introduction -- Establishing character and conflict -- Developing character and conflict to crisis -- Achieving crisis and climax -- Handling dialogue, theme, values, and moral urgency -- Writing the miniscreenplay -- A last word.
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| 588 |
0 |
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|a Print version record.
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| 590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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| 590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 650 |
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0 |
|a Motion picture authorship.
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| 650 |
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0 |
|a Television authorship.
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| 650 |
|
0 |
|a Creative writing.
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| 650 |
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0 |
|a Drama
|x Technique.
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| 650 |
|
0 |
|a Playwriting.
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| 650 |
|
6 |
|a Cinéma
|x Art d'écrire.
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| 650 |
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6 |
|a Télévision
|x Art d'écrire.
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| 650 |
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6 |
|a Création littéraire.
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| 650 |
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6 |
|a Théâtre (Genre littéraire)
|x Technique.
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| 650 |
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6 |
|a Création dramatique.
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| 650 |
|
7 |
|a LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing
|2 bisacsh
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| 650 |
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|a LANGUAGE ARTS & DISCIPLINES / Rhetoric
|2 bisacsh
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| 650 |
|
7 |
|a REFERENCE / Writing Skills
|2 bisacsh
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| 650 |
|
7 |
|a PERFORMING ARTS / Film & Video / Screenwriting
|2 bisacsh
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| 650 |
|
7 |
|a Creative writing
|2 fast
|
| 650 |
|
7 |
|a Drama
|x Technique
|2 fast
|
| 650 |
|
7 |
|a Motion picture authorship
|2 fast
|
| 650 |
|
7 |
|a Playwriting
|2 fast
|
| 650 |
|
7 |
|a Television authorship
|2 fast
|
| 700 |
1 |
|
|a Lee, Lance,
|d 1942-
|e author.
|
| 776 |
0 |
8 |
|i Print version:
|a Brady, Ben.
|t Understructure of writing for film & television.
|b First edition
|z 0292785151
|w (DLC) 87025508
|w (OCoLC)16718364
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7560/785144
|z Texto completo
|
| 938 |
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|a EBSCOhost
|b EBSC
|n 1106785
|
| 938 |
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|a YBP Library Services
|b YANK
|n 12858364
|
| 994 |
|
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|a 92
|b IZTAP
|
