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Space and being in contemporary French cinema /

This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche and Claire Denis. Whatever their chosen habitats or shifting terrains, ea...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Williams, James S., 1963- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester ; New York : New York : Manchester University Press ; Distributed in the U.S. exclusively by Palgrave Macmillan, 2013.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Space and being in contemporary French cinema /  |c James S. Williams. 
260 |a Manchester ;  |a New York :  |b Manchester University Press ;  |a New York :  |b Distributed in the U.S. exclusively by Palgrave Macmillan,  |c 2013. 
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505 0 |a Space, cinema, being -- Topographies of being : space, sensation, and spectatorship in the films of Bruno Dumont -- Requiem for a city : the symbolics of space in the cinema of Robert Guédiguian -- Heading nowhere : framing space and social exclusion in the films of Laurent Cantet -- Re-siting the Republic : Abdellatif Kechiche and the politics of reappropriation and renewal -- Beyond the Other : grafting space and human relations in the trans-cinema of Claire Denis. 
588 0 |a Online resource; title from PDF title page (JSTOR, viewed October 13, 2016). 
520 8 |a This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. 
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