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|a YDXCP
|b eng
|e rda
|e pn
|c YDXCP
|d OCLCO
|d P@U
|d OCLCQ
|d OCLCF
|d JSTOR
|d EBLCP
|d MERUC
|d AU@
|d OCLCQ
|d OCL
|d OCLCQ
|d SFB
|d OCLCO
|d UKAHL
|d OCLCO
|d OCLCQ
|d N$T
|d OCLCO
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|a 0810132060
|q (electronic bk.)
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|a 9780810132061
|q (electronic bk.)
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|z 9780810132047
|q (cloth ;
|q alk. paper)
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|z 0810132044
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|q alk. paper)
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|z 9780810132054
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|q alk. paper)
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|z 0810132052
|q (pbk. ;
|q alk. paper)
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|a (OCoLC)930760533
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|a 22573/ctv45wdxp
|b JSTOR
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|a PN241
|b .K54 2015
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|a LIT
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|a LIT
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|a 418.04
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|a UAMI
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|a Kippur, Sara,
|e author.
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|a Writing it twice :
|b self-translation and the making of a world literature in French /
|c Sara Kippur.
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|a Evanston, Illinois :
|b Northwestern University Press,
|c 2015.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|a Includes bibliographical references.
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|a Introduction: self-translation in the age of world literature -- Self-translation and strangeness : Nancy Huston's aesthetics of translatedness -- Self-translation as postmodern mouvance : Raymond Federman and authorship -- Resisting self-translation : Jorge Semprun, language authenticity, and the challenge to world literature -- The erasure of self-translation : Hector Bianciotti and the language of memory -- Afterword: the future of self-translation.
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|a Print version record.
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|a Though the practice of self-translation long predates modernity, it has found new forms of expression in the global literary market of the late twentieth and early twenty-first century. The international renown of self-translating authors Samuel Beckett, Joseph Brodsky, and Vladimir Nabokov has offered motivation to a new generation of writers who actively translate themselves. Intervening in recent debates in world literature and translation studies, Writing It Twice establishes the prominence and vitality of self-translation in contemporary French literature. Because of its intrinsic connection to multiple literary communities, self-translation prompts a reexamination of the aesthetics and politics of reading across national lines. Kippur argues that self-translated works should be understood as the paradigmatic example of world literature and, as such, crucial for interpreting the dynamics of literary circulation into and out of French.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Multilingualism and literature.
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|a Multilingualism
|x Social aspects.
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|a French literature
|x Translations
|x History and criticism.
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|a Literature, Modern
|x Translations into French
|x History and criticism.
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|a Multilinguisme et littérature.
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|a Multilinguisme
|x Aspect social.
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|a Littérature française
|x Traductions
|x Histoire et critique.
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|a LITERARY CRITICISM
|x General.
|2 bisacsh
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|a Literature, Modern
|x Translations into French
|2 fast
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|a Multilingualism and literature
|2 fast
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|a Multilingualism
|x Social aspects
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Kippur, Sara.
|t Writing it twice.
|d Evanston, Illinois : Northwestern University Press, 2015
|z 9780810132047
|z 0810132044
|w (DLC) 2015034117
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv47w3qh
|z Texto completo
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|a BATCHLOAD
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|a Askews and Holts Library Services
|b ASKH
|n AH36587691
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|a ProQuest Ebook Central
|b EBLB
|n EBL5491566
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|a Project MUSE
|b MUSE
|n muse47318
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|a YBP Library Services
|b YANK
|n 12716777
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|a EBSCOhost
|b EBSC
|n 1988930
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|a 92
|b IZTAP
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