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Ghostly desires : queer sexuality and vernacular Buddhism in contemporary Thai cinema /
In Ghostly Desires Arnika Fuhrmann examines post-1997 Thai cinema and video art to show how vernacular Buddhist values, stories, and images combine with sexual politics in figuring in current struggles over gender, sexuality, personhood, and collective life.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Fuhrmann, Arnika, |e author. | |
| 245 | 1 | 0 | |a Ghostly desires : |b queer sexuality and vernacular Buddhism in contemporary Thai cinema / |c Arnika Fuhrmann. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2016. | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (xii, 255 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 231-248) and index. | ||
| 505 | 0 | |a Buddhist sexual contemporaneity -- Nang Nak's Ghost wife: desire, embodiment, and Buddhist melancholia in a contemporary Thai ghost film -- The ghost seer: Chinese Thai minority subjectivity, female agency, and the transnational uncanny in the films of Danny and Oxide Pang -- Tropical malady: same-sex desire, casualness, and the queering of impermanence in the cinema of Apichatpong Weerasethakul -- Making contact: contingency, fantasy, and the performance of impossible intimacies in the video art of Araya Rasdjarmrearnsook Coda -- Under permanent exception: thai Buddhist-Muslim coexistence, interreligious intimacy, and the filmic archive. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In Ghostly Desires Arnika Fuhrmann examines post-1997 Thai cinema and video art to show how vernacular Buddhist values, stories, and images combine with sexual politics in figuring in current struggles over gender, sexuality, personhood, and collective life. | ||
| 546 | |a English. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2022. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2022. |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
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| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 650 | 0 | |a Motion pictures |z Thailand. | |
| 650 | 0 | |a Buddhism in motion pictures. | |
| 650 | 0 | |a Ghosts in motion pictures. | |
| 650 | 0 | |a Sexual minorities in motion pictures. | |
| 650 | 6 | |a Bouddhisme au cinéma. | |
| 650 | 6 | |a Minorités sexuelles au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Performing Arts. |2 eflch | |
| 650 | 7 | |a Buddhism in motion pictures. |2 fast |0 (OCoLC)fst01902630 | |
| 650 | 7 | |a Ghosts in motion pictures. |2 fast |0 (OCoLC)fst00942441 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Sexual minorities in motion pictures. |2 fast |0 (OCoLC)fst01904665 | |
| 651 | 7 | |a Thailand. |2 fast |0 (OCoLC)fst01205310 | |
| 650 | 7 | |a Buddhismus |g Motiv |2 gnd | |
| 650 | 7 | |a Erotik |g Motiv |2 gnd | |
| 650 | 7 | |a Homosexualität |2 gnd | |
| 651 | 7 | |a Thailand |2 gnd | |
| 650 | 7 | |a Thailand. |2 sfit | |
| 650 | 7 | |a Performing Arts. |2 ukslc | |
| 650 | 7 | |a Queer theory. |2 homoit | |
| 776 | 0 | 8 | |i Print version: |a Fuhrmann, Arnika. |t Ghostly desires. |d Durham : Duke University Press, 2016 |z 9780822361190 |w (DLC) 2015047559 |w (OCoLC)919341889 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11hppkk |z Texto completo |
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