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|a 9780813569994
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|a 10.36019/9780813569994
|2 doi
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|a 791.43095195
|2 23
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|a UAMI
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|a Chung, Hye Seung,
|d 1971-
|e author.
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1 |
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|a Movie migrations :
|b transnational genre flows and South Korean cinema /
|c Hye Seung Chung and David Scott Diffrient.
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|a New Brunswick, New Jersey :
|b Rutgers University Press,
|c [2015]
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|c ©2015
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|a 1 online resource (viii, 291 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a New directions in international studies
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|a Includes bibliographical references (pages 255-278) and index.
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|a Introduction: South Korean cinema's transnational trajectories -- Part. I. From classical Hollywood to the Korean golden age: cinephilia, modernization, and postcolonial genre flows. 1. Toward a strategic Korean cinephilia: a transnational détournement of Hollywood melodrama -- 2. The mamas and the papas: cross-cultural remakes, literary adaptations, and cinematic "parent" texts -- 3. The nervous laughter of vanishing fathers: modernization comedies of the 1960s -- 4. Once upon a time in Manchuria: classic and contemporary Korean westerns -- pt. II. From cinematic Seoul to global Hollywood: cosmopolitanism, empire, and transnational genre flows. 5. Reinventing the historical drama, de-westernizing a French classic: genre, gender, and the transnational imaginary in untold scandal -- 6. From Gojira to Goemul: "host" cities and "post" histories in East Asian monster movies -- 7. Extraordinarily rendered: oldboy, transmedia adaptation, and the US war on terror -- 8. A thirst for diversity: trends in Korean "multicultural films", from Bandhobi to Where is Ronny? -- Conclusion: into "spreadable" spaces: Netflix, YouTube, and the question of cultural translatability.
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|a Print version record.
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|a This timely new study reveals that, though South Korean popular culture might be enjoying new prominence on the global stage, the nation's film industry has long been a hub for creative appropriations across national borders. Movie Migrations explores how Korean filmmakers have put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood.
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546 |
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|a English.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Motion pictures
|z Korea (South)
|x History
|y 20th century.
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650 |
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|a Motion pictures
|z Korea (South)
|x History
|y 21st century.
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650 |
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|a Culture in motion pictures.
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650 |
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|a Motion pictures and transnationalism.
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|a Motion pictures and globalization.
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|a Cinéma
|z Corée du Sud
|x Histoire
|y 20e siècle.
|
650 |
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|a Cinéma
|z Corée du Sud
|x Histoire
|y 21e siècle.
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650 |
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|a Culture au cinéma.
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650 |
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|a Cinéma et transnationalisme.
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|a Cinéma et mondialisation.
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Media Studies.
|2 bisacsh
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|a Culture in motion pictures
|2 fast
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|a Motion pictures
|2 fast
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|a Motion pictures and globalization
|2 fast
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|a Motion pictures and transnationalism
|2 fast
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|a Korea (South)
|2 fast
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|a Sydkorea.
|2 sfit
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|a 1900-2099
|2 fast
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|a History
|2 fast
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700 |
1 |
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|a Diffrient, David Scott,
|d 1972-
|e author.
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776 |
0 |
8 |
|i Print version:
|a Chung, Hye Seung, 1971-
|t Movie migrations
|z 9780813569987
|w (DLC) 2014035987
|w (OCoLC)892514247
|
830 |
|
0 |
|a New directions in international studies.
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt18gzfp8
|z Texto completo
|
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