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The extinct scene : late modernism and everyday life /
In 1935, the English novelist Stephen Spender wrote that the historical pressures of his era should "turn the reader's and writer's attention outwards from himself to the world." Combining historical, formalist, and archival approaches, Thomas S. Davis examines late modernism...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
[2016]
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| Colección: | Modernist latitudes.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Davis, Thomas S. |q (Thomas Saverance), |e author. | |
| 245 | 1 | 4 | |a The extinct scene : |b late modernism and everyday life / |c Thomas S. Davis. |
| 264 | 1 | |a New York : |b Columbia University Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (xi, 307 pages) : |b illustrations | ||
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| 490 | 1 | |a Modernist Latitudes | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: Late modernism and the outward turn -- The last snapshot of the British intelligentsia: documentary, mass-observation and the fate of the liberal avant-garde -- The historical novel at history's end -- Late modernism's geopolitical imagination: everyday life in the global hot zones -- War gothic -- "It is de age of colonial concern": vernacular fictions and political belonging -- Epilogue: "appointments to keep in the past." | |
| 520 | |a In 1935, the English novelist Stephen Spender wrote that the historical pressures of his era should "turn the reader's and writer's attention outwards from himself to the world." Combining historical, formalist, and archival approaches, Thomas S. Davis examines late modernism's decisive turn toward everyday life, locating in the heightened scrutiny of details, textures, and experiences an intimate attempt to conceptualize geopolitical disorder. The Extinct Scene reads a range of mid-century texts, films, and phenomena that reflect the decline of the British Empire and seismic shifts in the global political order. Davis follows the rise of documentary film culture and the British Documentary Film Movement, especially the work of John Grierson, Humphrey Jennings, and Basil Wright. He then considers the influence of late modernist periodical culture on social attitudes and customs, and, through a more nuanced understanding of the period, conducts original analyses of novels by Virginia Woolf, Christopher Isherwood, and Colin MacInnes; the interwar travel narratives of W.H. Auden, Christopher Isherwood, and George Orwell; the wartime gothic fiction of Elizabeth Bowen; the putry of H.D.; the sketches of Henry Moore; and the postimperial Anglophone Caribbean works of Vic Reid, Sam Selvon, and George Lamming. By considering this varied group of writers, artists, and cultural leaders, Davis recasts late modernism as an art of scale: by detailing the particulars of everyday life, the movement could better project the large-scale undoing of history. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
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| 650 | 0 | |a English literature |y 20th century |x History and criticism. | |
| 650 | 0 | |a Modernism (Literature) |z Great Britain. | |
| 650 | 0 | |a Literature and society |z England |x History |y 20th century. | |
| 650 | 6 | |a Littérature anglaise |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Modernisme (Littérature) |z Grande-Bretagne. | |
| 650 | 6 | |a Littérature et société |z Angleterre |x Histoire |y 20e siècle. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
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| 650 | 7 | |a Literature and society |2 fast | |
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| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a Literary criticism. |2 lcgft | |
| 655 | 7 | |a Critiques littéraires. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Davis, Thomas S. (Thomas Saverance). |t Extinct scene. |d New York : Columbia University Press, [2016] |z 9780231169424 |w (DLC) 2015005493 |w (OCoLC)905969975 |
| 830 | 0 | |a Modernist latitudes. | |
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