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Formal functions in perspective : essays on musical form from Haydn to Adorno /

Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of ways. The essays, wr...

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Détails bibliographiques
Cote:Libro Electrónico
Autres auteurs: Vande Moortele, Steven (Éditeur intellectuel), Pedneault-Deslauriers, Julie (Éditeur intellectuel), Martin, Nathan John (Éditeur intellectuel)
Format: Électronique eBook
Langue:Inglés
Publié: Rochester, NY : University of Rochester Press, 2015.
Collection:Eastman studies in music ; 127.
Sujets:
Accès en ligne:Texto completo

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245 0 0 |a Formal functions in perspective :  |b essays on musical form from Haydn to Adorno /  |c edited by Steven Vande Moortele, Julie Pedneault-Deslauriers, and Nathan John Martin. 
264 1 |a Rochester, NY :  |b University of Rochester Press,  |c 2015. 
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490 1 |a Eastman studies in music ;  |v 127 
504 |a Includes bibliographical references and index. 
520 8 |a Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of ways. The essays, written by established and emerging scholars from the United States, the United Kingdom, Canada, and the European continent, run the chronological gamut from Haydn and Clementi to Leibowitz and Adorno; they discuss Lieder, arias, and choral music as well as symphonies, concerti, and chamber works; they treat Haydn's humor and Saint-Saens's politics, while discussions of particular pieces range from Mozart's arias to Schoenberg's Verklarte Nacht. Running through all of these essays and connecting them thematically is the central notion of "formal function." 
588 0 |a Print version record. 
505 0 0 |g pt. One  |t Theoretical Studies in Haydn and Mozart --  |g 1.  |t "Functial Formanality": Twisted Formal Functions in Joseph Haydn's Symphonies /  |r L. Poundie Burstein --  |g 2.  |t Mozart's Sonata-Form Arias /  |r Nathan John Martin --  |g pt. Two  |t Nineteenth-Century Taxonomies --  |g 3.  |t Formal Type and Formal Function in the Postclassical Piano Concerto /  |r Julian Horton --  |g 4.  |t Saint-Saens's Cyclic Forms /  |r Andrew Deruchie --  |g pt. Three  |t Schubert --  |g 5.  |t Schubert's "Deflected-Cadence" Transitions and the Classical Style /  |r Brian Black --  |g 6.  |t "Heavenly Length" in Schubert's Instrumental Music /  |r Francois de Medicis --  |g pt. Four  |t Text, Texture, and Form --  |g 7.  |t Sentences in the Lieder of Robert Schumann: The Relation to the Text /  |r Harold Krebs --  |g 8.  |t Parlante Talk: Texture and Formal Function in the Operas of Verdi /  |r Steven Huebner --  |g pt. Five  |t Analysis and Hermeneutics --  |g 9.  |t Discipline and Punish among the Winds in the First Movement of Beethoven's First Symphony /  |r Henry Klumpenhouwer --  |g 10.  |t Laborious Homecomings: The "Ongoing Reprise" from Clementi to Brahms /  |r Giorgio Sanguinetti --  |g pt. Six  |t Schoenberg and Beyond --  |g 11.  |t Dominant Tunnels, Form, and Program in Schoenberg's Verklarte Nacht /  |r Julie Pedneault-Deslauriers --  |g 12.  |t Form and Serial Function in Leibowitz's Trois poemes de Pierre Reverdy /  |r Peter Schubert --  |g 13.  |t Philosopher as Theorist: Adorno's materiale Formenlehre /  |r Steven Vande Moortele. 
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700 1 |a Martin, Nathan John,  |e editor. 
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